the thinner the air

The End

2011-08-09T11:43:00.000-07:00

Thanks for everything.

Chokebore - Black Black LP (1998)

2011-07-12T17:30:00.000-07:00

Featured on Elementary Revolt's Blogosphere of the Week!

It's July, it's been cold and dreary all day, plans upon plans have been foiled, and I haven't updated for a bit. Starting now, reader, you will no longer associate Hawaii with a cheerful isolation, but with the darkest, most pathetic depression to crawl on its hands and knees begging to be a part of your mainland world again.

Here today is an entry that I have been meaning to do for a while. Despite having only discovered them within the past couple years, Chokebore have quickly become a favorite of mine and definitely the "go-to" band whenever I am feeling especially awful. Not because this band makes me feel better, goodness no, that's too constructive. This is the sort of band you listen to when you see a sunny day and pray for an overcast to roll by and last for the rest of your life. This is a band to lock yourself in your bedroom, turn out the lights, close the blinds and glare at the ceiling with. And likewise, this record is your best and only friend. Everyone has those days; we're only human.

I can't think of one punk-related record that I've genuinely contemplated more than this one. This record, entitled Black Black, is just that, black on black: a trudging, deadweight, dark cloud following you around the room and wherever you go. Although pop in composition - referring especially to tracks like "The Perfect Date" - there are few if any happy moments to be found here. I wouldn't say this is a particularly deep album in the sense that there are so many different facets to take into consideration. In fact, upon first listen, you may find it a shallow album that just drifts along the surface of various overarching themes and rarely elaborates, rarely lets you into its world. But after a few more listens, maybe a day or two to let it sink in, the record might sneak up on you. Troy von Balthasar's crooning suddenly becomes your suppressed conscience coming back to haunt you. Lurking behind all the hooks that keep you listening, you find an infallible desolation offering you temporary solace and complacency for the entirety of the record. If you find yourself relating to this music, there might be something wrong with you, and that's what this is for. This is a crutch, an absolutely hopeless crutch. In twelve songs, Chokebore manage to create at least six memorable anthems for the doomed, and definitely one heavy, relentlessly sad record that is likely to stay with you for a while.

I can't say enough about this, but I encourage anyone within the sound of my voice (text?) to download this and tell me it's not catharsis. This was Punk In My Vitamins #22. Chokebore were previously associated with AmpRep and had a previous project called Dana Lynn. For fans of Unwound, Lowercase, and other heavy, noisy leaning slowcore. But really, you're not likely to find another band like this.

Chokebore - Black Black LP MediaFire

Steve Reich - Octet/Music for a Large Ensemble/Violin Phase LP (1980, ECM) [By Reich]

2011-06-24T11:55:00.000-07:00

What is that phrase? "The show must go on." I suppose it does. Today, and in lieu of doing anything of any remote importance, I am sharing a recording of multiple Steve Reich works conducted by Reich. I was pleased to pick this from the stacks at a local chain's newest location nearby, mint and for the right price I might add. The recordings, especially Octet and Music for a Large Ensemble, seem to pick up where the infamous Music for 18 Musicians piece left off in terms of the minimalist style. That may be a deal breaker for those who become adamantly reluctant at the thought of minimalism. As a disclaimer, you are unlikely to enjoy these works if you did not enjoy 18 Musicians. Admittedly, as much as I enjoy and admire Reich's superb phasing technique, it can become onerous during casual listening. In terms of minimalism and in the frame of casual listening, unless the piece grabs me within the opening phrase I can become turned off. I think similar can be said for most listeners, and especially those uninitiated or otherwise unfamiliar with the style. Also, listening to Vile's "Solution" and then Reich's "Violin Phase" immediately thereafter is a difficult transition.

Pontificating complete. Now I am going to discuss the music... wait, don't go. As previously stated, Music for a Large Ensemble can be considered the third continuation of Reich's preceding "Music for..." works. The piece contains four sections, each with concise phrases that are augmented throughout and then shortened through diminution. The piece uses what is apparently the largest ensemble that Reich had ever used at the time, twenty-nine musicians if you include the Reich's piano as well. Prior to this recording, the original piece went through a small evolution (or devolution depending on your opinion): it was shrunk from twenty-one minutes to sixteen after a section was removed; instruments were added and removed; and finally, the piece was played faster than originally intended. According to the extensive liner notes, each section is in an arch form which is notated as (A*B*C*B*A). This is probably my favorite piece on the record, and is one which I assume casual listeners will enjoy most for its lovely, violin-led opening phrase. It is a mostly bright work with a relaxing atmosphere and themes similar to 18 Musicians. This is a valid introduction to the composer, and a vital listen for all.

Violin Phase is the oldest piece on this record, both in terms of age and technique. The piece was written in 1967 and is a prime example of phasing. It is written for one violin, but requires that the musician play against three recordings of himself. The musician slowly plays ahead of the tapes, and patterns are both formed and found. The piece sounds ancient when juxtaposed against the other two recordings, and rightly so as it is over a decade older than them. The fifteen-minute piece can quickly become monotonous for casual listeners. It is more interesting than it is enjoyable; it is something to admire as expression and an art I suppose. It is nonetheless a great introduction to Reich's phasing.

Octet sounds similar to Reich's "Music for" works and is simply radiating with his touch. It is a beautiful piece blooming from two pianos, which are complemented with the lingering, nearly invariable strings and a propulsive wind section mostly dominated by flute and clarinet. I know I said Large Ensemble was my favorite here, but in terms of energy... well, I guess it's a tie really. Octet carries on with the same themes and motivations, but focuses on wind rather than percussion. Enjoyable recording and also nice place to start with the composer.

It seems that the recordings on this record are somewhat unpopular, perhaps permanently overshadowed by Reich's magnum opus which has already been mentioned far too many times in this entry. Whether you have heard Reich before or not, there are bright moments to be discovered here. I would say that these recordings, apart from Violin Phase, are a kinder introduction to Reich if you are entirely unfamiliar with him. That is my opinion anyway.

This was released on ECM Records and has the potential for a takedown notice.

Steve Reich - Octet/Music for a Large Ensemble/Violin Phase MediaFire

Chas Smith - Santa Fe 10" (1982)

2011-06-10T09:00:00.000-07:00

Although certainly not an outstanding name on my wantlist, I was happy to cross this one off when I had the opportunity to buy it earlier this year. A somewhat hard-to-find name among experimentalists, Chas Smith is a long-running, Los Angeles-based artist whose later output that I rank near the top of my most cherished (albeit limited) ambient recordings. His album, An Hour out of Desert Center, is one I have consistently returned to. This 10" entitled Santa Fe was his first record. Santa Fe differs from Smith's later work in two ways. The most obvious is the departure from the minimal, curiously retro barebones ambient zones he composes on Santa Fe; those approaches, methods and themes are still the same that carries on throughout his later work, just in a more polished way. The second difference is the common instrumentation used on this record. Comparatively anyway: while a pedal steel guitar and 12-string dobro are the only instruments used on this record, Smith's later work mostly involves elaborate, self-invented instruments, some with the most notably colorful names. ("Guitarzilla" among them.) His work suggests a nod to Partch and Young, among other enormous drone and minimalist names.

As with nearly everything else I write about, I am able to boil this entry down to wondering why this artist isn't more well-known. But just a moment, for whether you've realized it or not, you have probably heard Smith do his thing before: he has contributed to numerous film scores, among them The Shawshank Redemption and American Beauty. Living in Los Angeles likely helps that work come along. Smith has also performed on recordings written by Harold Budd. That's an impressive pedigree for someone who, say, writes long paragraphs about his records every other day.

Anyway, all that aside, this is a wonderful debut record from a genuinely talented composer. Recommended for fans of the Big Four, other ambient artists, and experimental music in general. Or if you're just trying to take a nap, I guess... I would strongly recommend seeking out his later work in addition to giving this a listen.

This was Cold Blue #E7. Cold Blue is a veteran California ambient and minimalism label that is still active today. If you're still curious about Chas Smith or L.A. experimental music, do check out "L.A. Mantra,", a 1983 compilation released by Trance Port that features examples of the Los Angeles underground at the time. Chas Smith's "October '68" is featured on that compilation.

Chas Smith - Santa Fe 10" MediaFire
Chas Smith - Website

Bill Nelson - The Two-Fold Aspect of Everything 2xLP (1984)

2011-06-08T09:00:00.000-07:00

Some time ago, I discussed another Bill Nelson related project called Red Noise. That project received some attention, but not nearly as much as the eponymous artist's solo work. For those unfamiliar, here is a bit of a bio: Bill Nelson is a prominent English new wave artist that was active all through the 1980s. He led a band called Be-Bop Deluxe, later led Red Noise, and eventually decided on a solo career in electronic music. Despite releasing countless - seriously, countless - records, Nelson remained a mostly reclusive musician, no doubt due to his poor relationship with major labels. He released most of his records on his own label, Cocteau Records, likely named after Jean Cocteau, of whom Nelson was a big fan.

Bill Nelson has quickly become a favorite of mine over the past couple years. Nelson is overtly a guitarist, although his music could easily be described as synth-pop. The music featured in this compilation rarely meanders - straight-forward, propulsive pop right down to the core. His version of the guitar-synth hybrid sound always keeps me coming back, not to mention every track he does is endlessly catchy. And although Nelson remains pretty obscure, he has a diehard fanbase keeping his music alive. He still performs today, too.

This may or may not be a good introduction to Bill Nelson for those who haven't heard his music before. Many of these songs are remixes and alternate versions, facts that may color one's perception of this music. Nonetheless, this is highly recommended for fans of new wave and synthpop music.

Bill Nelson - The Two-Fold Aspect of Everything 2xLP MediaFire

Intermission

2011-06-06T19:57:00.001-07:00

Normally I am not one to advertise, but here goes a lapse in that behavior.

I created a Facebook page for The Thinner the Air. If you are so inclined, feel free to visit the page here. I don't have a personal Facebook page, and as such it's mostly alien territory to me. However, social networking seems like the primary vehicle for spreading the word about something. I have realized that, despite writing here for close four years, I still don't get as many hits as I'd like. Granted, 95% of the time that isn't the point for me, but even so I would like to get as much readers and feedback as possible.

With that said, thanks for reading. I thoroughly enjoy writing these entries and have no plans to stop as long as vinyl is still being pressed.

Ryan

Facebook Page

Bitch Magnet - Umber LP (1989)

2011-06-06T18:12:00.000-07:00

Featured on Elementary Revolt's Blogosphere of the Week!

Seeing as how there are multiple entries regarding Seam here at The Thinner the Air, and North Carolina's Bitch Magnet was the Sooyoung Park project immediately preceding Seam, it seems pertinent to discuss Sooyoung's heavier-hitting past for the fans and uninitiated alike. Bitch Magnet formed in the late 80s and played a post-hardcore-esque sound similar to bands like Squirrel Bait and Bastro - similar guitar tone, aggressive bass lines, essentially that Midwestern sound. I've seen other interesting comparisons, too, from Jawbox to Big Black. (P.S.: Bitch Magnet's Star Booty EP was produced by Albini.) Myself, I've always considered Bitch Magnet to be a heavyweight Seam - dark, violent and contemplative, yet still melodic and catchy.

In any case, I am continually shocked that this project has received as little attention as it has, although I attribute that to the comparatively small labels (Communion, Glitterhouse, Roman Candle, Waterfront) that they released their records on. I was surprised to rediscover that Umber was released in 1989, but it shouldn't be so considering how much the heavy "intellectual" indie sound was evolving at the time. For example, a compilation entitled Human Music, released by Homestead Records the year before Umber, is a favorite of mine and a comp that I consider a prime example of the eclectic influences on independent bands in the late 80s. Lots of creativity and experimentation was going on. As far as Bitch Magnet goes, it's a cornerstone post-hardcore record: fits right in between hardcore punk and math rock, and sums up the sound that comes to mind when I think of post-hardcore as a genre. But I digress, you can decide, and/or not care, for yourself.

Members went onto Bastro, Don Cabellero, Walt Mink, and Gastr del Sol. My DJ promo copy was Communion #12; it's beat up, written on, and now yours to mutually enjoy.

Incidentally, Bitch Magnet are reuniting for All Tomorrow's Parties this year.

Bitch Magnet - Umber LP MediaFire

The Creeping Nobodies - Augurs & Auspices LP (2007)

2011-06-04T16:55:00.000-07:00

I am inadvertently a shill for Canadian bands I guess. Or maybe it's just the Toronto scene, given that I have at least two other entries concerning bands from there. It's not so much that I favor the city over other places - in fact, having been to Toronto, I'd say I prefer the easternmost section of chilly Ontario to its metropolitan bits. And I don't think it's a difference of talent in comparison to American bands. It's just that music I've heard come out of Toronto, and Canada in general, seems to have a mind all its own - a narrow-yet-sophisticated approach that sets Canadian artists apart. Maybe? Or maybe this is all just posturing and I should get down to the subject matter.

The Creeping Nobodies were mentioned to me some time ago in passing. I neglected to look them up immediately, just as I still haven't looked into their related acts like Sick Lipstick, These United States, Martyrs and Parts Unknown. I think there was just a certain sound being thrown around in Toronto during the early 2000s. Anyway, it just so happened that I found their last full-length, Augurs & Auspices, at Amoeba for the right price. As good a time as any to check out the, let's say, complicated, Ex-like if not for the production post-punky sounds of this 2000s quartet (or quintet by this time.) Before I wrote this, I went out on a limb and predicted, having not listened to the album since I bought it, that it had a Zs feel to it. Although I wasn't completely off, especially when the Nobodies' compositions stretch out for such generous spans of time, I wasn't correct. A somewhat uneven mix of familiar no wave of new and olde (Liars, other NYC-related bands) and post-punk influences seem to make up their sound - and wouldn't you know it, they formed as a result of a tribute performance to The Fall. But what do I really think? Dissonance, uncertainty, contempt, anxiousness - these are all words that come to mind when listening to this. Most songs start off with simple ideas and jam around them for the remainder of the song, a formula that, believe me, sounds better in practice than it does on paper. If any of the namedropping in this entry hasn't spoiled your appetite for the evening, you're bound to enjoy this.

This was Deleted Art #24. Maybe it's out of print.

The Creeping Nobodies - Augurs & Auspices MediaFire

V/A - Escondido, CA Compilation 7" (2001)

2011-06-01T20:07:00.000-07:00

Have about four and a half minutes? That's how long it will take you to listen to this six-song compilation featuring four powerviolence bands out of Escondido, CA. I think I got this for free... honestly, I don't remember how or when I got a copy of this record. I don't remember being stoked though. It sounds how it looks: quick and sloppy. Two songs from each band, all of them true to form and under a minute. Bands featured are Crippled Monguloid, Charmburgler, Losin' Fusion, and perhaps most interesting to some, DisreantiyouthhellchristbastardassmanX. The latter band is the only one I could ever find any information on for various reasons; I was only reminded of this band and compilation after reading a story about the vocalist cutting himself open and covering a venue floor with blood. In any case, here you go: a very obscure and limited edition compilation from the sweaty ankle of California.

This was released on Thrashbot Records and Tapes in 2001. Thrashbot had a website on GeoCities that is obviously gone now. There were apparently 200 of these records made. Sit down with a hot cup of tea, dim the lights, light a fire in your fireplace and enjoy.

V/A - Econdido, CA Compilation 7" MediaFire

Franco Battiato - Clic LP [UK VERSION] (1974)

2011-05-30T16:23:00.000-07:00

A big name in synth and avant-garde, Franco Battiato is a veteran in numerous forms of expression. He is perhaps best known for his first LP, Fetus, a cornerstone release for prog and synth-based music. Tonight, I share with you his fourth album, Clic, a mostly instrumental album touching on a variety of textures, sounds, themes, moods and interestingly an about face in songwriting. Franco's early work is often aligned with progressive-related genres, however this album branches out noticeably. Perhaps taking cues from Brian Eno (for what it's worth, Here Come the Warm Jets was released the same year) and other ambient artists active at the time, Franco uses a plethora of synths and drones to create tranquil atmospheres reminiscent of, well, 70s synth in general. He is not without his psych influence either, touching on psych-out themes throughout the only predominately vocalized track "No U Turn," which among its peculiar bursts of oddity features various operatic voices including his own crooning throughout the track. Apart from that, the album is overtly ambient in theme. Fans of current synth artists are sure to notice similarities here.

It should be duly noted that this is ripped from the UK version, that is the 1974 Island Records pressing. The original, Italian pressing it a great deal different from this one.

Franco Battiato - Clic LP MediaFire

Venus Cures All - LBS 2x7" (1995?)

2011-05-25T23:38:00.000-07:00

Every town, big or small, has pockets of creativity congregating together. Sometimes those pockets bloom and their talent halfway immortalizes them. Other times, they're mostly overlooked or short-lived (bet you're tired of hearing me say those words, huh) and leave only vague traces of their existence. Here tonight is such case, specifically one from Toronto that I was lucky to find even one webpage on. Granted, it was their label Wavelength's website, but sometimes not even that pops up... Venus Cures All formed after the break-up of another Toronto band called Chicken Milk. The bio I found made references to Drive Like Jehu as far as similar sound goes, and actually that's pretty dead on. It's funny, I got this home, started playing it at 45 rather than 33, and instantly heard unabashed late 90s emo vibes flowing through the room. "Wow," I thought, "quick, melodic bursts, super catchy, this is great." Then the chipmunk vocals came in and I was admittedly disappointed, turned down the speed. But not to worry, the record was made in such a way that it's worthwhile at both speeds. Definite Jehu, alt. rock and emo vibes all strewn together beautifully. I'll break it down how I see it: Jehu in instrumentation, alt in vocals, emo in... phew, all that melancholy attitude. At least that's how it is on the first 7". Once you get to the second, it's a little more complicated. On the first side, the songwriting becomes a lot more elongated with lengthy verses and an emphasis on a heavy tone, but the second second side first has a dissonant, Unwound or EVOL-era Sonic Youth feel with a pop leaning, and then a return to the themes found on the first record. Yeah... all over the place, just like my perspective.

Man, I should also say that this record is really falling apart. The sleeve is beautiful - fancy parchment with brilliant golden silk screening, or maybe something even fancier - but it's threadbare as they come. The sleeve just barely hanging on to each side by the corner... In any case, I saw it and thought "looks pretty emo."

Like I said, information was scarce. This band seemed to be deeply involved in the Toronto punk scene during the late 90's, and they apparently broke up around 1997. They have this double 7", a CD and possibly a compilation track to show for themselves. The band covers Mission of Burma's "That's How I Escaped My Certain Fate" if you're into that. This was a split release between Wavelength and Aural Borealis. After a little more digging around, I saw that they opened for Seam once; all the more reason to enjoy them if you ask me. In the liner notes, the band politely suggests that you crank the treble to 10 prior to putting this on... It's out of my hands.

On a surprisingly vital side note, the title of this release proved difficult to pin down. One spyware-ridden page claimed "Paradise by the Highway," but another said "L.B.S.," which makes more sense considering that's on the back sleeve. After an eeny, meeny, miny, moe session with myself, I chose the latter. Incidentally, check out this radio station's playlist for June of '95 in which this record was featured. Just about encapsulates this sound and era, I'd say.

P.S.: Shortly after finishing this entry, I went to slip the record back into its plastic sleeve only to have that last corner piece I mentioned earlier rip... Rest in two pieces.

Venus Cures All - S/T 2x7" MediaFire

Fearless Iranians From Hell - Die For Allah (1987)

2011-05-23T19:00:00.000-07:00

In light of recent events (yeah... why not), here tonight is a largely overlooked Texas band, led by an Iranian immigrant, from Berkeley's Boner Records label. About two years ago, I lucked out and picked up this Fearless Iranians From Hell LP, as well their second LP Holy War (which people seem to like more than this one), from a hole in the wall shop after a couple months of seeing it and several price markdowns. At one point, both were being sold for an upwards of $75 respectively. Ridiculous, actually. Even more ridiculous is, again, how utterly overlooked this band is, given their sound being similar to other satirical, more popular crossover thrash of the 80s and beyond, although I think they lean toward hardcore more than anything. It is perhaps for that reason that I favor this band over most other crossover bands, never mind the pop leanings present in their songwriting as well. If you haven't already figured it out, these are Americans pointing out the flawed relationship between U.S. and Iran through blatantly satirical songwriting (see OPEC.) A small step above songs about pizza and weed, wouldn't you say? Just kidding. The band no doubt sought to spark reaction and thought through their music, and what reactions they did accrue:

We were attacked by police, protesters, skinheads, right-wing radio hosts, left-wing college boy bands who were too caught up in their seriousness to get what we were doing, gangs, religious organizations, promoters...hell, Fearless Iranians From Hell album covers were even featured in PTA slide-shows portraying the evils of rock 'n' roll. Mission accomplished. (source)

Sorry about the hiccups, I tried.

Fearless Iranians From Hell - Die For Allah MediaFire

New Sweet Breath - Go Away 7" (1996)

2011-05-21T21:21:00.000-07:00

A quick single from this very overlooked lo-fi indie band out of Seattle. New Sweet Breath were one of many nobody bands that migrated to Seattle in the 90s to play music. And like so many of those bands, they went virtually unnoticed despite several singles, EPs and three full-length albums (incidentally, the second of which I recently picked up, still sealed.) Already beautiful praised in the blogosphere, here tonight is their second single, which is over before you hit the play button again. No kidding, "Go Away" is a zippy expressway to yr skull... well, what I mean is, it's catchy and melodic like any good single is, although rife with distortion and fuzzy goodness. The flip side is a little heavier and maintains the band's noisy, melodic charm throughout its two minutes. The aforementioned blog noted a similarity to Husker Du, a comparison some may not take lightly but one that I can agree with. Really, though, if you're any sort of fan of any 90s indie, like along the lines of early Superchunk or Built to Spill even, you're bound to enjoy this band as well. I have nearly all of this band's singles, but if you're eager, head over to Willfully Obscure and snatch them up.

New Sweet Breath - Go Away 7" MediaFire

Milkways - Milkways LP (1978)

2011-05-19T21:07:00.000-07:00

Tonight, here is a real treat and one of my favorites: the sole LP of French space disco band Milkways. Disregarding tenets of corniness and evidently shirts as well, this mysterious trio, whose members go unnamed, composed these eight smooth and dreamy synth-based jams and drifted into the void. This is ripped from an original copy of the record, which was later repressed as "Galactic Reaction" in the early 80's. "Dance in the Milkway" and "Astroport" are definite standouts, but the album as a whole is a certified gem of the genre, which was as short-lived and niche-y as other obvious European subgenres. All in all, though, if you're a fan of synthesizer music. this is potentially a new favorite for you; regrettably, the specific instruments used on the record aren't listed anywhere. I am aware this has been blogged before, but I am hoping to expose this to an otherwise unsuspecting audience. Really, if you're reading this and don't already know what it is, I encourage you to give it at least one listen.

I should also note that while the last two tracks are tracks in and of themselves, it was difficult to discern when the tracks split. As such, I combined the two; you likely will be unable to tell the difference. Admittedly, though, this is just laziness: the length of both tracks are plastered all over the record.

Milkways - Milkways LP MediaFire

The Answer Lies/Tulsa Split 7" (2007)

2011-05-17T23:22:00.000-07:00

The writing on the price sticker more or less sums this split up: "Bay Area Hickey Worship vs. Desert Fastcore." A bargain at any price under two dollars, this split features a bipolar mix: The Answer Lies busts out four aggressive DIY hardcore on their side, while Tulsa slow down the tempo and the mood with three punk-leaning, heart-bleeding "folk punk" tunes. The cover features an overgrown tostada laying waste, which was drawn by Mitch Clem (oooooh, fancy.) Great stuff all around! Might be out of print, but I know my copy is from the second pressing. Don't know why there is a hiccup near the end of the Answer Lies side. Looks like you can still get copies from Interpunk... so... there's that...

The Answer Lies/Tulsa Split 7" MediaFire

Neo Cons - S/T 7" (2011)

2011-05-15T14:47:00.000-07:00

After a long, coffee- and frustration-fueled excursion into the world of hardware drivers and support forums, I managed to trick my computer into doing what I wanted it to do. In other words, I am able to rip records again! On a side note, I managed to rack up more followers just letting this blog fester than I ever did updating frequently - 'sup with that, eh?

Here is a long overdue treat for the sound-starved. I was unaware of this record's release prior to seeing it pop up in a Katorga Works distro update a couple months ago, a fact which I am ashamed to admit given Neo Cons have been opening up punk shows in the Bay Area since... well, near the beginning of last year, I think. I neglected to pick up their demo in hopes that it would eventually be sold in distros as well, but it was my own fault for not throwing the band a few bucks directly.

I did have the pleasure of seeing Neo Cons recently on School Jerks' stop in the Bay Area in February of this year. Mind blowing performance: an energetic vocalist with a snarkiness to boot, groovy bass lines, simple riffs with inherent melodics, loud loud loud - everything no one would expect out of an opener and more.

This record complements those sentiments: six crunchy hardcore jams that keep it simple, but certainly not primitive. I don't know if this is still available (edit: it is), but below is a link to the band's blog if you want to get in touch.

It's May and there's ice coming out of the sky in California.

Neo Cons - S/T 7" Mediafire
Neo Cons - Blogspot
Neo Cons - Buy It

2011-04-30T09:57:00.001-07:00

Here's the deal: I recently upgraded to Windows 7 and since then my ripping procedure has been defunct. The process and sound card I used is incompatible with Windows 7, and as such I have been unable to update. I realize this isn't a terribly popular blog, but I do regret not updating regularly. And as of this entry, it has been over a month since I have shared anything.

So, until I buy a new sound card, this blog is more or less on hiatus. I still get at least 300 hits a week here, so I know people are coming and/or coming back whether or not they're silent about it. While I am still very eager to continue writing here, I just don't have the means to share.

If you're still reading, I will be back soon.

Changeling - Into Great Peace (2007)

2011-03-23T23:03:00.000-07:00

Okay, well, here is another woozy drone one for you sleepyheads. This Changeling c20 was put out by Not Not Fun in 2007. There were 200 made. This has been previously blogged, but not discussed. That will not change by much by my hand either. Departing a bit from the typical psych-drone tape music found on NNF (no hate intended), this is a great meditative zone that incidentally sounds strikingly like its album art. Layered synths and guitar drones, making for a great, existential evening. A lot of this sort of thing came out around this time, but this was always a standout for me, hence why I own it. This is was a project of Roy Tatum, who has also been involved in Quintana Roo. I don't know if this psuedonym is still active. I didn't rip this because I am slipping up.

Changeling - Into Great Peace MediaFire

Nath Family - Sounds of the Indian Snake Charmer Vol. 2 (2006)

2011-03-19T09:00:00.000-07:00

While we're on the subject, here is another gifted one courtesy of Illinois, USA. If you're a connoisseur of aesthetic analyzing, you'll probably be able to guess that this one also came from Hanson. This is the second volume of what was apparently a hit piece of music recorded by Aaron Dilloway when he supposedly spent some time with "a family of snake charmers in Nepal." In a sense, this could be called a field recording, but let's not be hasty; while discussing this, a close friend suggested "travel recording" as a more accurate label, if you really would like one. A worthy release of genuine folk music from Kirtipur, it is a live recording of an impromptu snake charming show put on for Dilloway. Fascinating and enjoyable music.

Nath Family - Sounds of the Indian Snake Charmer Vol. 2 MediaFire

Spine Scavenger - Spine Scavenger CS (2005)

2011-03-18T20:20:00.000-07:00

Just last night was I inadvertently reminded that I even have a copy of this. My copy was gifted to me by an old pen pal from Illinois a few years ago, so I have her to thank for this one I suppose. Of course that was long after this Spine Scavenger tape was released on Hanson, but it is nonetheless relevant that I include it. What she sent from Illinois is an interesting side-project of Aaron Dilloway that vastly precedes his current work, which I haven't heard lately and likely will not venture to. This tape, in addition to a simultaneously released "full-length" entitled The Lodge (also courtesy of Hanson), was the pseudonyms first recorded output. Half noise, half sound experiments, half found sound. That's three halves, which is far and away more than anyone could bargain for. Interesting modulation somewhere along the line. You should listen to it once and then listen to it again at the same time and place next week, and then ponder where your life is going. I suppose that it should also be noted that Hanson is/was run by Aaron himself.

Spine Scavenger - Spine Scavenger CS MediaFire

Brave Irene - S/T EP (2011)

2011-03-15T15:42:00.000-07:00

Although the headlines currently tell of a collapsing planet, the world could never be so dark as to disallow a new poppy Rose Melberg project. Avid readers of this blog (all two of you) are no doubt unfamiliar with Rose and my fanboy affection for her music. So you (the two of you) could only imagine my surprise to find that her latest fronted project, Vancouver-based Brave Irene, recently dropped their debut EP on Slumberland. No disappointment to be found in this record, which is a bold throwback to the best 90's twee, early Slumberland and K stuff. With artists like Rose, it's difficult not to use their name as a buzzword to speak lovingly of and promote their bands, but this all-girl quintet pull their collective weight and drive each song in their own way. The label noted the Flying Nun vibes going on with the keyboardist Jessica Wilkin, and they're not far off. Another pop banger with signature Melberg songwriting and nods to her past projects (surprisingly, Gaze are the first to come to my mind.)

I have a feeling this will sell out in a minute, so frolic over to Slumberland and get yourself a copy.

Brave Irene - S/T EP Mediafire
Buy it

Hesitation Wounds - Demo (2010)

2011-03-15T09:25:00.000-07:00

"No frills" hardcore from the Bay Area to tag along with the likes of Yadokai and Vaccuum. It sounds like punk music and maybe you'll like it. There are five songs on this cassette and they are fast as well as loud, which makes sense. I can't hear what the vocalist is saying and you won't be able to either. Contrary to my previous entry, my wimpy cassette player sweated this seven-minute punishment out and with not much to show for it. I e-mailed this person to get a copy, so you should do the same. They are playing with Condominium this week.

Hesitation Wounds - Demo MediaFire
or
Bandcamp

Field of Hats - Ancillaries 2xCS (2008)

2011-03-13T13:40:00.000-07:00

Howdy-ho. Whether or not "you" have missed my incessant updating (was it ever incessant to begin with?) is besides any point I will attempt to make in this update. Instead, I will jump straight to the music, which I'm sure you will enjoy.

I came upon this Field of Hats release not long after it was put it out by Arable in 2008. True to small-time psych-drone form, there were only 50 made, but I was lucky enough to snag a copy from the artist himself not long before they sold out. In my opinion, his later works haven't topped this release: this is slow-burning, contemplative drone for the deserted. The second track in particular, "Votary," has consistently remained one of my favorite tracks from its genre. It is a satisfying experience every time, but for reasons perhaps uncharacteristic of bare bones drone: the track is a mounting cacophony rather than a sparse meditation. The other three tracks are contradictory to "Votary" in that they are more typical, although they are nonetheless effective. Still, I think that "Votary" could be a release of itself and stand on its own.

Because my wimpy tape deck leaves something to be desired, I did not rip this particular release myself. Oh, mighty, fallen, etc.

Field of Hats - Ancillaries 2xCS MediaFire

The One AM Radio - Loose Ends: Rare & Unreleased Tracks (2009)

2011-03-06T14:16:00.000-08:00

As always, apologies for the lack of updates. Something is amiss in my existence and I find it necessary to concentrate my time and energy on other preoccupations. To tide you over, here is a companion post to the One AM Radio single that I shared some time ago. If my memory serves me well, this package was created in 2009 prior to the band's/man's tour that year. Utterly, characteristically sparse recordings that are most likely to appeal to longtime fans of the band than the causal meandering reader. The CD includes various covers, some more interesting than others, that I will leave you to ponder yourself. There were 55 of these CDs made. I am looking into my turntable problem and I hope to return to your respective worlds shortly.

The One AM Radio - Loose Ends: Rare & Unreleased Tracks MediaFire

Compound Red/Sidekick Kato 7" (1997)

2011-02-27T12:12:00.000-08:00

This record is one I recently described as being a "dollar bin ripper," and I think you will agree even if you don't admit it to anyone. It is a split between two somewhat obscure Midwest emo bands, Sidekick Kato being from Illinois and Compound Red being from Wisconsin. Both tracks are an agreeable blend of heavy and melodic punk music, a sound that was (seemingly) characteristic of the genre at the time. Not much else to say about this, as I think it's been passed around quite a bit; this is just a replacement for the record I was originally going to share, which is too dusty to rip properly.

Compound Red/Sidekick Kato 7" MediaFire

Seam - Hey Latasha b/w Mellow Noise U.S.A. (1995)

2011-02-24T20:30:00.000-08:00

A little over a year ago, I started this blog back up on a bored whim after realizing that I had accrued a reasonable collection of music that I hadn't adequately perused. One hundred posts later, with 300-400+ views weekly and thousands of downloads, I'm pleased to see that this archive still serves its purpose for others as well as for myself. I hope to continue providing music and other forms of expression to anyone who may pass through this place. Thanks!

Here is a Seam record I was missing from that megapost a while back. I hadn't actually heard these recordings prior to acquiring it, so this was a treat for me as well. One of the discography's more overlooked singles, this was released in by Che Trading in 1995. The single is reminiscent of their Pace Is Glacial work: a prominently pop arrangement not without the Seam trademark melancholy. The B side is another story, a track that is an about face in its overt experimentation: a fuzzy, percussive track relying on peculiar loops and sparse guitar work. Unexpected, but nonetheless enjoyable.

Seam - Hey Latasha b/w Mellow Noise U.S.A. 7" MediaFire

V/A - And Now Live From Toronto... The Last Pogo (1979)

2011-02-22T16:18:00.000-08:00

Here's a cool one from Canada. This Bomb Records compilation showcases a few of what I assume were heavyweight punk acts in Toronto at the time. All of these songs were recorded live at a venue called "The Horseshoe," during what seems to be the venue's last show. The compilation is the de facto soundtrack to an eponymous documentary by Colin Brunton. Bands include The Everglades, The Mods, Cardboard Brains, Drastic Measures, The Secrets and more. A seemingly obscure record with a heaping of 77; it's apparently a classic and a shining example of 70's punk in Canada. Great stuff, enjoy!

V/A - And Now Live From Toronto... The Last Pogo MediaFire

MX-80 Sound - Someday You'll Be King 7" (1980)

2011-02-20T11:16:00.000-08:00

Apologies for the lapse in updates. My stereo receiver was malfunctioning for whatever reason, so I was unable to rip any records without a harsh buzz accompaniment. To make up for it, I will try to update every day this week.

Here is a band that needs no introduction, Bloomington's own MX-80 Sound. This second single comes from their second full-length Out of the Tunnel, so maybe you could download it for the fantastic B. This was released on Ralph Records. Great, mostly overlooked post-punk.

My 100th entry is coming up soon... trying to figure something special I'll do it for it, if anything.

MX-80 Sound - Someday You'll Be King 7" MediaFire

Buellton - Avenue of the Flags (2001)

2011-02-10T17:10:00.000-08:00

Now here's something from 2001 that's thoroughly worth a damn!

Buellton were a band that remain as much as a mystery to me as they are to most. For a band evidently doomed to obscurity, they crafted an album so wonderful that it is as carefully heard as it was created. Avenue of the Flags certainly didn't hit me the first time around, and it in fact took about a week of repeated listens to wrap my head around just what about it kept it afloat. At first, one may find the piece amateurish, with occasionally, admittedly predictable songwriting paired with equally ho-hum lyrics ("The Flow", "What Do You Suppose" immediately come to mind.) What I find sets this album apart from other early-2000's indie rock churned out during the era is their thoroughly original approach to pairing alt. country (if you'll forgive the term) tendencies with slowcore themes and Pavement-esque riffs. There is seldom a moment in this album that isn't somber, but despite their subject matter being so melancholy, Buellton keep one listening with catchy, varied sadcore with unique textures and techniques. It's interesting to me how every song retains its sadness while simultaneously jumping from country twangs, pop chorus lines, and slow-burning slowcore contemplations. Avenue of the Flags has a little something for (almost) everyone, really. I encourage multiple listens if it doesn't stick the first time. While some slowcore bands stick to a beaten horse with one trick in its mouth, Buellton embraced many influences and sounds, and created a multifaceted full-length built to envelop you. You know how it rains during the summer sometimes? That's exactly how this album feels.

With all this said, I own every Seam record ever made. Buellton were John Nygren, Erik Herzog, Andrew Giacumakis, and Tad Wagner.

Buellton - Avenue of the Flags MediaFire

34 Satellite - Stop (2001)

2011-02-09T09:38:00.000-08:00

Seeing as how my stereo receiver is currently in revolt, I find it pertinent to share a CD instead. I think I actually picked this up a couple years after it was released, in the bargain bin. 34 Satellite were a Colorado quartet that had another full-length in addition to this one. Their music was put out entirely on Hideaway Records. I don't know anything about the band and I practically forgot I even owned this until I dug it out of my drawers. Definite "radio music" vibes going on here, but there are little tinges of spacey, shoegazey images thrown in to mix it up. The first few songs are somewhat interesting, if not rife with cliches, but the formula seems to be rehashed throughout the album. Other than that, mix R.E.M. with the Replacements and this is the most likely result; I mean, look at the release date! This is one of those entries posted purely for the purpose of archival, if you want to know the real truth... It has its moments, though. Similarly, maybe you'll also occasionally like it.

34 Satellite - Stop MediaFire

Peter Morris & Tom Stanswick - Time & Motion (1983)

2011-02-03T17:47:00.000-08:00

Another Red Bus Music Library rarity. The dominating composer of these demonstrations is Peter Morris, but one Tom Stanswick provides tracks eighteen through twenty. This particular archive tractors us back to terrestrial habits with impellent themes of routine, nine-to-five and ephemeral time. No specific information could be located for either composers, although Mr. Morris may have been from Belgium and Mr. Stanswick apparently composed two other releases on the exponentially more popular Coloursound Library.

Peter Morris & Tom Stanswick - Time & Motion MediaFire

Niner - Zero 7" (1999)

2011-01-31T21:15:00.000-08:00

A long day spent scraping the mold off the dollar bins three years ago accrued me this obscurity. Niner were a band that might have been from San Francisco. Visalian Records put out this 7", and it is for certain that they were from San Francisco. A website says the following about the label: "San Francisco indie. Home of The Cave-Ins, Cosigner, Mathew Tea, Niner, and The Playroom." Information about this band could not be found, hence the entry. Punk music with fast tempos and melancholy themes. There are probably a lot of these floating around in the same stacks.

Niner - Zero 7" MediaFire

Red 40 - Discography (1999)

2011-01-28T17:07:00.000-08:00

Surely not an unfamiliar sight to most, but Red 40 still seem to a band that is perpetually under the radar. I just recently picked up this discography CD after having the MP3s for easily a few years. I'm genuinely at a loss for anything coherent or fresh to say about this band that hasn't already been said before. This is not groundbreaking music, and any fan of Jawbreaker (a band which I more or less abhor incidentally) will immediately hear the influence they had on this band. The lyrics are longing, juvenile and rife with adolescent desperation. And the frontman, Ben Nichols, went onto to form Lucero... I'll let you draw your own conclusions. What I'm saying is, this has its drawbacks... but how much more catchy can this get! This stuff will get in your head and stick around past the afternoon, perhaps even later. It's apparent to me that these songs were written while Nichols was relatively young, or young enough to warrant lyrics so painful (pun intended), and probably going through a transitional period in his life (read as puberty).

With all that said, about halfway through the CD you'll probably turn it off. I find that their niche unfortunately becomes tired near the end. The first half is worth a at least a couple listens though. If you didn't figure it out, this was a pop-punk, Jawbreaker-influenced band from Little Rock and the predecessor to a more successful band, Lucero. This discography CD was issued twice, my copy being from the re-release. It is out of print and hard to come by - like all of this band's output - but there are a few copies on eBay as of this posting. For anyone reading who still has this, grab this if you want a higher bitrate; I was able to replace my 128kbs MP3s with this. Highly recommended!

Red 40 - Discography MediaFire

Alexander Goldscheider - Themes For a One Man Band Vol 1 (1983)

2011-01-22T16:00:00.000-08:00

Taking a break from the deluge of punk records in the "to jam" pile to share this library synth obscurity. London's Red Bus Music Library (full name being the Red Bus Music Library Limited) were one of many mystery library labels from UK; a quick search turns up little specific information. However, this composer's identity is a little less dubious. Dr. Alexander Goldscheider is a composer from Czechoslovakia who popularized the use of synthesizers in that country during the late 1970's. What seems to be his first effort, Themes For a One Man Band Vol 1 precedes a semi-illustrious musical career, one in which Goldschieder cut various songs for use in film, television and radio broadcast. An example of his more popular work is below - a clip from a Czech hit-parade entitled Hitsarada:

This LP is a fine, comparatively less obscure example of European library synth. Its sub-title, if you cannot read it from the photo, says "Pop and classic images of space." And images they are, as Goldschieder lifts the listener through the multifaceted galaxy in a series of demonstrative compositions, propulsive as they are ethereal. Upbeat and occasionally sparse recordings for your next trip to Saturn.

(Do forgive an error in the tags - I tagged the date as 1986, when in fact this record was released in 1983.)

Alexander Goldscheider - Themes For a One Man Band Vol 1 MediaFire

Totsugeki Sensya - Chain of Tragedy EP (2011)

2011-01-17T15:35:00.000-08:00

Okay, I couldn't wait another day to share this one as well. Japan's Totsugeki Sensya (apparently translates into English as Attack Tank) have been a band since 1998 or earlier, and yet it seems so little due attention has been paid to them. I, too, had never heard them until this five-song EP, which I've played over and over again since I received it. The package also came with their first EP, also on Lengua Armada, which I'm tempted to share alongside this at some point. This is a perpetually hasty affair, with the signature Japanese tone and little hooks to be found. The music is simple down to its lyrics, which were written in English just broken enough to be coherent. It's my opinion that the lyrics are frivolous, as they've been written one million times for the two million years ("We are killed by the system as it stands / Resist the system right now.") Whatever. One of my favorites from the bunch.

Totsugeki Sensya - Chain of Tragedy EP MediaFire
Totsugeki Sensya - Chain of Tragedy EP Buy It

Criaturas - Arañas en el Corazon (2011)

2011-01-17T14:19:00.000-08:00

Continuing with the new Lengua Armada releases, today I'm sharing the new Criaturas EP. This is yet another Austin-based hardcore band that released a demo sometime last year that, unlike the Vaccuum demo, I haven't heard and didn't notice. That's okay, this four-song slab of catchy punk music makes up for that. There have been many interesting bands and sounds coming out of Texas for the past couple years, and it seems this band is no exception to that. "Harsh," "ferocious," "fast," other assorted adjectives. This band has members of Deskonocidos and the vocalist screeches harmoniously in Spanish. The end.

Criaturas - Arañas en el Corazon MediaFire
Criaturas - Arañas en el Corazon Buy It

Vaccuum - Vaccuum EP (2011)

2011-01-16T08:00:00.000-08:00

I'm back from vacation, and happy to announce that I came home to a package from Lengua Armada, chock full of their latest round of releases. The first new record of theirs I'll be sharing is the one I was most excited about: the five-song Vaccuum EP. Includes re-recordings of songs from their demo. A very loud, occasionally upbeat, consistently angry round of hardcore from the Bay Area. I thoroughly enjoyed the "blasted-out" (oof), unrelenting guitar tone present in every song; there are moments when you can't hear a thing apart from the guitar. The EP is an improvement over the demo, but also sounds like more of the same (which isn't necessarily bad.) Turn up your volume and give it a shot.

This is now sold out from the label, and only distro copies are still available. Click the link at the bottom to snag the last of them.

Vaccuum - Vaccuum EP MediaFire
Vaccuum - Vaccuum EP Buy It

Manipulation - 2 EP (2010)

2011-01-07T11:46:00.001-08:00

Okay, okay, one more. This is the newest release from Chicago's Manipulation, whose first 7" I shared back in April. I'm pleased to say that their new record shows improvement in leaps and bounds. Not much else to say, too busy packing. I did not rip this one, and instead will be sharing the download code version. This is currently available in every applicable way, so there is no reason not to buy a copy yourself. Okay, now I'm leaving. Enjoy.

Manipulation - 2 EP MediaFire
Manipulation - 2 EP Buy It

On Holiday

2011-01-06T20:24:00.000-08:00

Hello,

I wanted to let anyone who may pass through know that I will not be updating until the week of January 16, as I will be on vacation all next week. Consider the recent quick succession of entries as compensation for that, as well as my otherwise infrequent updating routine.

Thanks for reading,
Ryan

V/A The Way Things Change #6 (2002)

2011-01-05T19:00:00.000-08:00

The conclusion to this 2001-2002 pop series. Great tracks from Putney Swope, All Girl Summer Fun Band and Rocketship. If I ever got a hold of volume five, I'll be sure to share that as well.

V/A The Way Things Change #6 MediaFire

V/A The Way Things Change #4 (2002)

2011-01-04T19:48:00.000-08:00

Probably my second favorite of the series, as nearly every band is a standout: Second Story Man, Six Cents and Natalie, Casino Ashtrays (Laura Watling!), and The Lucksmiths. All twee, all the time.

V/A The Way Things Change #4 MediaFire

P.S.: Check out these Smiths boots, released during the waning days of 2010!

V/A The Way Things Change #3 (2001)

2011-01-03T17:26:00.000-08:00

Third volume in the series. Obvious names are Mirah and The Cannanes. Less acoustic, perhaps a little more electric than the previous volume. Figurine, Cannanes and Mirah's tracks were composed around programmed electronics and keyboards. Low fidelity for the whole family.

V/A The Way Things Change #3 MediaFire

V/A The Way Things Change #1 (2001)

2011-01-01T23:00:00.000-08:00

A while ago, I promised to finish sharing the remainder of this singles series. Well, I'm going to do just that for the next few days, but very reluctantly. I never managed to grab a copy of the fifth in the series, so there will be a gaping hole where it should be. Regardless, pop fans of all shapes and sizes, enjoy!

The first volume in Red Square's "The Way Things Change" compilation features the likes of Jen Turrell and Stewart Anderson of Boyracer fame and Calvin Johnson of fame-fame. There was a little hiccup on the Calvin Johnson track, sorry.

V/A The Way Things Change #1 MediaFire

Searching For The Now #4 - Pains of Being Pure at Heart/Summer Cats (2008)

2010-12-31T11:36:00.000-08:00

To tie up the end of 2010, I'll share volume four of Slumberland's "Searching For The Now" single series, which featured The Pains of Being Pure at Heart and Summer Cats. No, wait, don't run away! Yes, I admit, I'm not a very big fan of what Slumberland has been putting out as of late, and Pains of Being Pure at Heart aren't exempted from that. But despite loathing their LP for admittedly superficial reasons (come on, at least put the Pastels in your thank-you list), this version of their song "Come Saturday" is, in my opinion, a superior version. It's definitely an early recording, probably long before they began writing their LP and it definitely came first. And I unabashedly admit that this song is concentrated catchy in a can; no one can resist these hooks! So anyway, the point of this entry is mostly to share an overlooked version of that song. I don't know a thing about Summer Cats apart from them being from Melbourne. Their single is pretty good, too; listening to it again this morning, I was immediately reminded of Built of Spill and Talulah Gosh simultaneously ... go figure.

This was Slumberland #82. It is out of print. See you next year.

Searching For The Now #4 - Pains of Being Pure at Heart/Summer Cats MediaFire

The Summer Hits - Beaches and Canyons 1992-96 (1996)

2010-12-30T20:09:00.000-08:00

Ripped this more for myself, as I wanted to replace the poor digital copy I had on my computer. My musical upgrade equates to your musical gain. The Summer Hits were a Further-related project that included guitarist Brent Rademaker, who gave me this CD for free. They released many 7" records, but I'd think that this CD is their most recognized and listened-to release. "Criminally overlooked" is a beaten cliche that I will begrudgingly use to describe this band; I can't think of a band more overlooked, given its pedigree. This has been tossed around for years and years, but this band remains one that listeners give an instant pass. A compilation of noisy, carefree pop music that someone sober may not get the first time around, but give it a shot and you're sure to find a cozy, cacophonous niche worthy of an edgebreak. Just kidding.

The Summer Hits - Beaches and Canyons 1992-96 MediaFire

Thought Riot - The Dangerous Doctrine of Empathy E.P. (2003)

2010-12-29T00:00:00.000-08:00

Here's a record I didn't even know existed, let alone ever heard of before I bought it. Thought Riot were an anarcho hardcore-esque band with members from Livermore and Modesto. They were a favorite of mine around the time their full-length Sketches of Undying Will came out. I believe they were on A-F Records at one point or another.. told you it was a long time ago. I only ever saw them once unfortunately, but it was a good time. They've been teetering on playing a reunion tour for the past couple years, but it hasn't happened apart from a one-off show on September 11th of this year, a show that I found out about a month too late. So much energy coming from these guys, despite the sentiments and sound aging too poorly for me. In any case, these guys ruled back in the day. Maybe you'll like this, maybe not... If it's any incentive, the flips are Fugazi (Burning Too) and Redemption 87 (The Plague) covers.

This EP was released on The Record Labelation from San Leandro, CA, a label run by a member (or members?) of Livermore's own Silent Film Stars. And that doesn't mean a thing to anyone not from Livermore...

Thought Riot - The Dangerous Doctrine of Empathy E.P. MediaFire

Matsuri - Endship (2010)

2010-12-28T22:06:00.001-08:00

Matsuri are a band that never get old for me, despite seeing them play a hundred times over the past few years. I still get just as excited by their energy, positivity and presence in 2010 as I did in 2007. I caught the end of their set last night at their very own DIY space and had a blast. While I was there, I picked up the CD version of their new LP, which has yet to come out. They had to push back the release date due to delayed mixing, so they were still taking pre-orders... at the show. Never before last night had I seen a band take pre-orders in person. But that's okay. It probably happens more often than I am aware. If you checked out any of the music I posted in my previous Matsuri-related post, you're bound to like this as well.

Matsuri - Endship MediaFire
Matsuri - Endship Buy It

School Knights - Rush S.K. (2010)

2010-12-27T14:47:00.000-08:00

School Knights are a pair, I think, of musicians from Colorado, I think. This is their brand new EP entitled "Rush S.K." Four "lo-fi" songs of the poppy, "mathy" variety. Okay, I'll stop being jaded for a moment: this is pretty good and I'm enjoying it as I listen to it for the second time. Nice woozy, guitar-driven rock music written by a couple teenagers - isn't that what it's all about anyway?

This is literally brand new, so go buy a copy from Bridgetown Records if you like this. One hundred were made and one of those hundred could be yours.

Link was removed per the label's request. Sorry, go buy it!
School Knights - Rush S.K. Buy It

V/A I Know Why They Call It Pop (2010)

2010-12-26T18:35:00.000-08:00

In 1994, a little-known Boston label called Pop Narcotic released a double 10" compilation entitled "Why Do You Think They Call it Pop?" The bands featured on that compilation ranged from infamous to small timers, but the compilation nonetheless had its desired effect: it captured the state of pop music in its many forms at the time, and remains a milestone in the genre.

It's 2010 now, and Rok Lok Records, an overtly pop label themselves for the most part, decided it would be fitting to pay homage to that compilation and that era with their own, similarly named compilation. Ranging from the most primitive one-man bedroom pop pseudonyms to full fledged bands, the compilation gathers a colorful, diverse roster of musicians and genre, from coast-to-coast and down to Brazil. The influence is evident; in my opinion, this comp probably could have fooled pop junkies if it said it was thrown together in 1996 rather than 2010. Rok Lok's owner Mike dedicated the 20-song cassette to "all the people banging on a 4 track till the wee hours of the morning, tape labels and tape traders." It comes highly recommended from me to anyone with an ear for genuine, intimate tunes and a musically open mind.

One hundred of these tapes were made, and there are about eight left at the time of this posting. If you're eager, head over to Rok Lok and snag a copy.

V/A I Know Why They Call It Pop MediaFire
V/A I Know Why They Call It Pop Buy It

Single Mary - 4 Song E.P. (1987)

2010-12-26T00:15:00.000-08:00

A genuinely mysterious quintet from Eugene, Oregon, Single Mary self-released this aptly named four song EP in 1987. Simple punk songs with synth, saxophone and male-female vocals. A brief search came up with no information for this band. There are probably a couple hiccups in this rip somewhere, but it should be fine other than that.

Single Mary - 4 Song E.P. MediaFire

2010-12-25T09:46:00.001-08:00

No update, just wanted to wish my readers a Merry Christmas and Happy Holidays. Thanks for sticking around! I have a couple things up my sleeve to finish the year with.

Ryan

Lollipop - Live at Reptilian Records 7" (1997)

2010-12-15T11:43:00.000-08:00

Another noisy freebie from the same recent trip. Lollipop were a Maryland band that relocated to San Francisco, released two full-lengths and several 7" records that included a split with Thee Headcoats, and broke up by the end of the nineties. Most of their output was on Amphetamine Reptile, but this particular was on Reptile Records, the same label that brought you a couple Buzzov·en-related singles. One of the inserts likened this band to Blue Cheer and MC5 in the same breath, but you be the judge. Two loud raw live recordings packaged in a hand-screened "dayglo" sleeve. Well, well well.

Lollipop - Live at Reptilian Records MediaFire

...and somehow I managed to befuddle this post by ripping the second song at the wrong speed (not that you noticed), so here's your correction. I re-uploaded the above .RAR file with the correction, but in case you already downloaded the previous link here is the standalone second track. Sorry:

Lollipop - Carburetor Dung 45RPM MediaFire

Molly McGuire - S/T EP (1993)

2010-12-09T16:25:00.001-08:00

Now for one of Kansas City's best kept secrets... Molly McGuire are just one of those kinds of bands. Despite putting out two full-lengths, two splits, this 7" and a compilation track, perhaps even more, people still scratch their heads about them. And I know I'm onto something with this obscurity thing, because I searched all over for a hint of blog'd on this record and I came up with nothing. I'm surprised! In any case, sitting among other Kansas City Sound notables like Giants Chair, Shiner, and Boys Life, Molly McGuire embraced a grungy, cacophonous indie sound that eventually attracted major label attention. The release of their full-length, "Lime," saw their signing to Epic Records. But like so many other post-Nirvana signings, Molly McGuire never seemed to catch on commercially and drifted out of sight.

This EP was released in 1993 on Caulfield Records. It's apparently very difficult to track down information on this band, but if you're a fan of other KC bands at the time, you're bound to like this. I had never even heard this record before I bought a copy of it, so this is exciting to share here.

Molly McGuire - S/T EP MediaFire

Mutants - New Dark Ages 7" (1980)

2010-12-04T19:04:00.000-08:00

Speaking of San Francisco, here's an important one, so listen up. The Mutants were probably one of the first art punk bands to come about in the late 70's. They only released this 7" and a full-length entitled "Fun Terminal," which carried them across the country on what I believe was their only national tour. I had the pleasure of seeing this band in 2007 at Gilman - completely mind-blowing, enthusiastic performance, with lots of old timers and teenagers alike going nuts

There's nothing in particular I want to say about this. It's a catchy, completely flawless punk gem that's worth way more than the $5 I paid for it, monetarily and otherwise. No matter who you are or what you're into, give this a shot for a good time.

Mutants - New Dark Ages 7" MediaFire

V/A The View From Here: The San Francisco Compilation (1987)

2010-12-03T22:09:00.000-08:00

Avid readers of an almighty blog that needs no introduction probably caught this record last year, so for those folks this is no news. Indeed, I am a bit disappointed to be the second (perhaps third) of the collective blogosphere to unleash this wacko slab on the world, but I suppose it doesn't hurt to add my own two cents. Besides, this gives me a chance to inadvertently remind readers of another San Francisco obscurity; as it turns out, White Stain's Wally Sound produced one of the songs on this compilation. Bet this guy is getting tired of his name being thrown around these parts... Anyway, lots of interesting new wave and punk-related sounds emanating from this. A couple, more familiar names like Camper Van Beethoven are thrown in among mostly San Francisco native unknowns, but all the more charm value. Catchy and occasionally campy, but entertaining one hundred percent of the time. This was released in 1987 on Medical Records. Here is the tracklisting which I will now unabashedly copy from the aforementioned blog:

01. Pray For Rain - 2 Steps Forward
02. The Naked Into - Dark Comes Down
03. Vox Humana - Concept Day
04. Camper Van Beethoven - Happiness Is a Porpoise Mouth
05. The Ophelias - Palindrome
06. Standing Naked - Soul
07. Tooth & Nail - Stuck in a Nightmare
08. Kelley Gabriel & Clocks of Paradise - Sandra
09. Hold My Head, It Hurts - Carnival Ride
10. The Sneetches - I Need Someone
11. The McGuires - Garbage Man
12. Spot 1019 - Taste the Feel
13. Child Support - Classified Information
14. Blue Movie - Dog Song

V/A The View From Here: The San Francisco Compilation MediaFire

Ova!/Happy Mother's Day, I Can't Read - The Number on My Forehead is Gone (2004)

2010-11-29T22:19:00.000-08:00

I once had a cat. Her name was Sugarfoot. She was the best cat I ever had; my current cats pale in comparison. She was always following me around and rubbing up on me and actually drank her milk, and really loved me. The feeling was mutual. But then she ran away or was eaten or was blown up by a firework. That made me very sad, and angry, and frustrated, and confused, and full of pent up rage. It made me want to play sloppy, guitar-driven noise rock with a slight prog lean, maybe sorta. It also made me want to create coagulating harsh noise that isn't quite tough enough to induce vomiting, but sweet enough to leave one longing for the embrace of an incinerator. Finally, it made me want to mix the two with a group of good friends, and to name our subsequent collaboration "Awesome." That's how this split on Freedom Form makes me feel. It makes me miss my cat. I love you, Sugarfoot.

(Apologies for the pauses in between tracks. It was pressed that way.)

Ova!/Happy Mother's Day, I Can't Read - The Number on My Forehead is Gone MediaFire
(The previous link was erroneous, as it was missing the first track. Sorry.)

Toss - Titles of the Greatness of Been (2002)

2010-11-28T23:56:00.000-08:00

Teetering on the edge of drone-drenched electroacoustic jams and full-on noise, Toss was a Belgium trio who put out two impressive albums on Kraak (or (K-RAA-K)³, if you really want to), the same fellas who brought you a Dolphins Into the Future LP this year, among other notables. Their last one, this one, Titles of the Greatness of Been, is a nervous, wandering guitar-based improvisation jammer that's just malleable enough to be deemed amorphous. Some tracks linger in heavy electronic contemplation, while others oscillate wildly with bursts of various instrumental buzzing, dubbed field recording and foamy mumbling and/or gurgling. There. Is that mailing list enough for you? Also, if I attach the word "lo-fi" to this, will you download it?

Toss - Titles of the Greatness of Been MediaFire

The Get Up Kids - Loveteller 7" (1996)

2010-11-27T20:42:00.000-08:00

Once upon a time, I stupidly threw a copy of this record across the Pacific Ocean and never saw it again. Now, thanks to a special someone, I got another copy of what is probably one of my favorite singles. There's no doubt in my mind that the Get Up Kids are a household name by now, so I'll spare you the introduction. It's criminal that this song, "A Newfound Interest in Massachusetts," often goes unnoticed when new listeners peruse this band's discography. If you've never heard it or you're looking for a place to start, jump on this opportunity. This band has been and will always, unabashedly, be one of my favorites.

This record saw a lofty series of reissues - six total - and was put out by Contrast Records in 1996. This was the band's first single and, as far as I know, their first recorded output.

I don't know if anyone was alert to it, but my latest entry, Pavement's "Summer Babe" single, was deleted per a DMCA takedown notice from Blogger. I guess Matador doesn't like sharing as much as I do! But anyway, like I said in my last entry, expect a slight lapse in updates for the remainder of the month and into December, as I need to concentrate on end-of-the-semester business.

The Get Up Kids - Loveteller 7" MediaFire

Surgery - Little Debbie 7" (1992)

2010-11-13T16:10:00.000-08:00

Here's a loud one from the Nirvana-era wave of sloppy, noisy punk. Surgery was a New York band that, before jumping to Atlantic Records, put out a series of records on Amphetamine Reptile Records, this single being one of them. They were a band from the late 80's until 1995, when their frontman passed away. The single draws likeness to bands like Tar and Cows, although with a more alt. rock/grunge lean, with loud, repugnant guitar, scummy vocals, and maybe a little hint of humor thrown in. Pretty good underground alternative rock that never quite made it commercially, but is nonetheless dirty, catchy, heavy goodness fit for the ears. Shame about the cover though, huh? But I'm not complaining, this was a freebie. Apologies for the bit of surface noise.

Surgery - Little Debbie 7" MediaFire

EDIT 11/20: And I just now realized that I had a YouTube link up there the whole time. Hoo boy.

Nerdy Girl - Dime Store Hussy 7" (1996)

2010-11-07T10:46:00.000-08:00

Okay. I have a solid hour before work, it's a gloomy, rainy day outside, and I'm currently burying myself and my sorrows in records before I spend my Sunday standing around for a few hours. What better time could there be to share another twee pop EP? Nerdy Girl was, maybe is, a pop quartet from Montreal that was, maybe is, fronted by Cecil Seaskull. Such a sweet voice on this girl, definitely a perfect fit for the music she's playing. This record was a split release with No Life and Janken Pon records, the former from Los Angeles and the latter from Montreal. Three down-tempo, sweetheart pop tunes for the long, incoming winter. Enjoy your Sunday.

For the obsessive compulsive (read: me), I accidentally put the release date on the folder and the tags at 1995, when in fact it's 1996. Who cares, but sorry!

Nerdy Girl - Dime Store Hussy 7" MediaFire

The Candyland Carcrash - S/T 7" (1996)

2010-11-06T01:24:00.000-07:00

This has been passed around for years now, you're right. But the reasoning behind this entry is twofold: for one, I don't much feel like talking about my next share right now, and for another, I'm excited to finally get my hands on a copy of this. This is one of my favorite records from the genre and era, and if you're looking at this, you probably know what it is. It's also my chance to rip this for myself and simultaneously rid myself of the rip that's been tossed around the Internet all this time. There are three songs on this record, not two, and the B-side is "The Pain Will Double If You Leave Me Now," which has been incorrectly titled as the first track on the A-side, "Baffled on the Seventh Floor." The second track on the A-side is titled "Mine" I think; the insert's font is so hard to decipher. Some people say the track is titled "Science," but I don't think so. I guess you could say that the B-side also has two tracks, as there's groove split near the end with only the sound of feedback recorded to it, but I don't think that counts... Enjoy.

This is was released on Clay Garden, the same label that released a Channel 7" . On a side note, the copy I got of this record came with an insert from the late Very Distro, advertising the "new" Starkweather record. Thought that was cool...

The Candyland Carcrash - S/T 7" MediaFire

And here are the raw, unedited .WAV files if you prefer. I tried to do the recording justice, but I realize that I could have done a bit better.

Morgan & The Organ Donors - Arrogant Man EP (2010)

2010-10-30T09:33:00.001-07:00

A friend and I hopped on a train and braved the light rains and Giants fever in San Francisco last night to catch Broken Water on their current west coast tour, which will stretch as far as Tijuana if I'm not mistaken. No doubt a familiar name this year, what with their LP on Night People and all. But this entry isn't about them.

A three-piece Olympia punk band called Morgan & The Organ Donors are tagging along with Broken Water on their tour. While I hadn't heard them before last night, I was open minded. The name sparked my imagination, conjuring up fantasies of riot grrrl crusties (strange imagination, I know) or the like making a ruckus at an art space on a chilly Friday night. I was way off, though, as "Morgan" (real name Sara Pete) along with her "Organ Donors" (James Maeda on guitar and Fajr Wilson on Drums) belted out a handful of dance-y 60's garage rock tunes complete with all the best hooks imaginable. I don't dance, but even I was given to a little bobbing during their set. My friend noted the surf influence, especially the far out surf-related gear the guitarist was using that night. Great people, very great music! We talked with them briefly before and after the show, too, but I mention it only to confirm that they're rad kids. If any of your soul happens to be left after its inevitable jading, you'll dig the hook-ridden, punk-laden Arrogant Man EP.

If you like this, and you happen to be on the west coast, catch this band with Broken Water before it's too late. They're playing in southern California for the remainder of October and into the beginning of November, then turning around and heading back up to the northwest to take a breather and play a couple more. And while you're there, pick up this record.

Also, can I say that I was pleasantly surprised to discover that Whirl were also on the bill last night?! What a performance!

Morgan & The Organ Donors - Arrogant Man EP MediaFire
Morgan & The Organ Donors - MySpace
Morgan & The Organ Donors - Buy it from K

Zumpano - Wraparound Shades 7" (1994)

2010-10-25T19:23:00.000-07:00

Before the New Pornographers, Carl Newman fronted another, lesser known Canadian Sub Pop band. That band was called Zumpano, a quartet that released this single and two albums within only a few years during the early nineties. Their album "Look What the Rookie Did" is up there as one of my favorite pop-oriented albums (in a long, long list), despite its rough concept and execution. Newman obviously bloomed later in his career, but his talent still shone through in his earlier efforts. This single, "Wraparound Shades," is backed with a rare cover of "Orange Air" by Jimmy Webb, a man who has recorded a million other songs in his lifetime.

Zumpano - Wraparound Shades 7" MediaFire

Megapost #2: Bay Area/Not Quite Bay Area DIY Emo & Screamo from 2005 - 2010

2010-10-17T22:04:00.000-07:00

Of course, this is by no means an exhaustive post. The title should have "that I have copies of" at the end to be a little more accurate, but I thought that would look silly. An ear-to-the-ground screamo geek in the Bay Area that's been conscious for the last few years might recognize some of these. And if not, here's a gift from me to you.

A recent outing to the first screamo-related show I had been to in months prompted me to rip my old demos and EPs by bands that I've met over the years. These bands did, and some still continue to do, DIY punk like it should be, and unless I'm mistaken all of these CDs were handmade, heartfelt jobs that are worth every penny I spent on them when they were new. And these guys always had tables full of stuff, be it music, artwork or whatever. I have so much attached to this music, it's ridiculous; the above picture along brings out a lot. I'm reminded of the last few years, the friends I made, the strange places I went, all the spaces around the Bay Area we discovered - a whole network of kids with enough positivity to power the houses they played in. I digress, though, as I'm speaking as if those memories are a thing of the past - they are as much the present as they were four, five years ago.

This is almost a vanity post, since I consider some of these people friends, and since I am also sharing the latest John Cota tape in this entry, which incidentally is their whole, remastered discography. Even though this may be a little more for me than it is for anyone else, I hope I can provide enjoyment to someone else by sharing this music. That being said, there are still so many more bands whose music I didn't pick up way back when. Some of these bands intertwine and often played with each other, so it's a given that, with a little digging, you're bound to find more. And go buy some of their music! Some of these bands are still together and still tour with other bands. Every person in these bands, that I've personally met and even those I haven't, were genuine, enthusiastic people who made great music free from ego, image, aesthetic, and other bogus stuff.

The following means a lot to me.

John Cota - "2009" Tape/Remastered Discography (these are the MP3 masters - thanks Max)

Home Is Colored Gold - Spring Tour Demo (this didn't come with a tracklisting, and I couldn't find one on the Internet - sorry!) - one member went onto John Cota
I Was The Explosion - Three Songs - one member went onto John Cota
Moldar - Last Five
Matsuri - Demo (this was their first, first demo I believe. I think their later demo had four songs, while this one only has three.)
Nord Mariner - 4 Songs
Nord Mariner - S/T CD - Redwood City emo band, who, unless I'm mistaken, are on hiatus but not broken up.
John Cota - Demo CD
John Cota - Tour CD
Matsuri/Moldar - Summer Tour 09 Live - great live recordings from last year, but I don't know where from
Moldar/Calculator Split

Bill Nelson's Red Noise - Revolt Into Style 7" (1979)

2010-10-15T23:21:00.000-07:00

Stopped in to say hello at my favorite spot again this evening and ended up leaving with this interesting piece. Bill Nelson's Red Noise was fronted by guitarist Bill Nelson, who was a member of Be-Bop Deluxe prior to this eponymous project. The band released two singles as well as an LP, and all in 1979 apparently. Definitely falls into the new wave file, but Bill's music pushes the boundaries of the genre a bit on this single, touching on punk and synth pop tendencies throughout. Very aggressive, guitar- and synth-based music. All in all, a few bucks well spent. Not crazy about it, but it's not bad!

Bill Nelson's Red Noise - Revolt Into Style 7" MediaFire

Further - The Further John Peel Sounds 7" (1995)

2010-10-10T16:49:00.000-07:00

Readers may remember my entry regarding Further's first single on Bong Load Records from back in July. I picked that gem up on my own, but I bought today's share from Brent Rademaker himself. He had been selling Further-and-related records on eBay for a time and, eager to get copies myself, I browsed his eBay account for whatever he had been selling. Ever the naive one, I was disappointed at how much he had been charging for shipping (as it turns out, a little extra actually makes sense for a 2xLP) so I messaged him and asked him about working out a deal. Eventually, I ended up getting their John Peel sessions, the Sometimes Chimes full-length, as well as a copy of the Summer Hits CD for a cool $40 or so. Not bad, and certainly not what I deserved for berating his shipping policy. I suppose, if it's any consolation, I didn't know it was him until it was too late.

Anyway, that little diddy dragged on a bit too long. This record was released on Boxing Day Records, a label which either didn't actually exist, was so obscure that I can't find a thing on it, or was a disguise for self-releasing this record. In any case, this is a hard to come by record with even harder to come by recordings. If you dug the previous Further record, give this a shot. This came way after their first single however, and way after most of their material had been recorded, pressed, and subsequently out of print. You've got tracks from all over the place here, from the beginning of their discography to the "end." The rendition of "Misinformed Youth," which by the way is titled "The Kids Are All Wrong" on its original 2x7" release, is my favorite cut here.

Here comes the best part!

Further - The Further John Peel Sounds 7" MediaFire

Built to Spill - So and So So and So 7" (1994)

2010-10-09T13:33:00.001-07:00

Yeah, I'm on a pop kick again! It's 2010, so it's doubtful that a band like Built to Spill need an introduction. This one of their early singles from 1994. It was put out by the obscure Saturnine and was recorded at Dub Narcotic by Calvin Johnson. What could I possibly say to justify either of these tracks? What's more, what could I say about this band that hasn't already been said? These tracks, "So and So So and So From Wherever Wherever" and "Terrible-Perfect" (which incidentally shared lyrics with a Treepeople song), were later featured on "The Normal Years" rarities compilation CD that K put out in 1996, which I also have a copy of and am tempted to share. If you're at all familiar with Lonesome-and-earlier-era Modest Mouse or Martsch-related projects like Treepeople, you know what to expect here: Built To Spill in the early and even late nineties was something really special. Even shortly after the inevitable-and-well-deserved jump to a major label they put out some killer tunes (Fly Around my Pretty Little Miss, for example), which is saying something. But as for everything before that? Just listen. "Save some place in your mind / I'm getting good at time."

Built to Spill - So and So So and So 7" MediaFire

Names For Pebbles - Mods and Miniskirts EP (1996)

2010-10-08T22:32:00.000-07:00

A very short-lived New Haven pop group fronted by someone named Joey Maddalena, who I suppose must be pretty famous somewhere in this crazy world. Pretty abrasive recordings with some garage rock influence here and there, poppy hooks and oddball musicians. You'll get what I mean by that last part by the second song, maybe; the keyboard bits are gem. This was their second record, was one-sided, and was hand-numbered out of one-hundred-and-fifty. This record was released by Blackbean And Placenta Tape Club!, the same label that put out some of Six Cents and Natalie's music. Hey, anyone ever work at Target?

Names for Pebbles - Mods and Miniskirts EP MediaFire

V/A The Way Things Change Volume 2 7"

2010-10-06T16:54:00.001-07:00

First off, let me say that it's been a mixed bag of new wave and punk material for the past few entries, so I'd like to mix it up and share one of my favorite volumes from a great pop compilation series. Second, I'm reluctant to share this particular record because, despite being fantastic, there is a lot of surface noise that I think is a result of the orange color and heavy vinyl; hopefully you'll be able to look past that. If there is enough response, I'll probably share the rest of the series, or rather the volumes I have.

The first volume of "The Way Things Change" was Red Square Recordings first release in 2001. Red Square was run by Jen Turrell of Boyracer and Possum Moods, among others. As you can plainly see, there's a great mix of pop-oriented bands on this particular volume, the obvious standouts being Softies, Microphones, and Dear Nora. I can't quite place what it is about this record that's had me playing both sides over and over again since I got it a couple years ago. If I had to venture a guess, I'd say it's the overall mood it conveys. The mood of every song is quite somber and longing, even Dear Nora's track, which is instrumental more or less. Also, if you notice, the album art is a drawing of boy and a girl standing in the rain. The album art changed from volume to volume, and I assume that they were released during different times in the various seasons and that it wasn't just a coincidence.

Whether or not the songs for each volume coincided with the seasons is a mystery to me, although it would be cool if that were the case. I'd say this a twee comp, but every song resides more in the stripped down bedroom realm, especially the Mac Dare and Park tracks. In any case, here it is, an overlooked comp with a handful of not so overlooked artists. By the way, the Softies do a Rocketship cover (guess which song) and, as always, the Microphones are overrated.

V/A The Way Things Change Volume 2 MediaFire

Draw Blank - S/T 7" (2002)

2010-10-05T00:00:00.000-07:00

Here's an oldie... well, an oldie where I come from. Not exactly, but they were close by anyway. Draw Blank were four-piece punk band from that were active in the early 2000's. If I'm not mistaken, this was their first record of two that they released. I never had the pleasure of seeing these guys live, but a local totally serious, eager, bright-eyed and bushy tailed, 1/3 hardline punk band (I guess it wouldn't hurt to mention them!) did a cover of their song "Hollow Years" in 2005 or so, and I've held onto these tunes ever since. I actually got my hands on a physical copy at a show last year, and could hardly contain my excitement, much to the owner's bewilderment.

I say that because this record, despite being close to my heart, is nothing extraordinary: just four guys doing punk their way (incidentally, that being the only way) one summer. But this record and band has a unique, carefree quality that many punk bands of today seem to forget about. These are non-pretentious, straight-forward jams with no gimmicks or egos attached; nothing plastic is apparent and nothing has been perverted with bogus attitudes. I don't claim to be the exhaustive source on hardcore/punk know-how and I'll never pretend to, but as an outside observer who's been going to shows nearly all of my life, I can say that whatever heinous ongoing transformation within the attitudes of some punk bands and their fans becomes manifest in the aesthetics and ideologies of some hardcore today. Punk becomes less and less fun when ego and image come before the music. But anyway, this isn't my soapbox and this blog isn't supposed to have a political bent.

There's very little information on these guys left, but superpunk extraordinaire Chris Hopkins over at Critical Hit Records wrote a lovely article wrought with more nostalgia than I could pack into this particular entry. Go there if you want to learn more. What follows is Draw Blank's full-length 7", recorded "in six hours" at Burnt Ramen. Enjoy the pro quality; there aren't even any groove splits in the vinyl. Now, whether the band is named after the S.O.A. song or not is a mystery to me...

Draw Blank - S/T 7" MediaFire

Rodney and the Brunettes - Little G.T.O. 7" (1978)

2010-10-04T19:01:00.000-07:00

This is an interesting one that was fun to research. I was sorting through the stacks yet again at my favorite spot when the owner came out with a stack of 45s he thought I'd be interested in, marked way down of course. The only one I bought was this one, mostly because it was the only original of the bunch but also because I had no idea what it was despite it being on Bomp! On a side note, there was a copy of that complimentary live Jam EP stuck in there, but I'm a stickler for condition so I left it as well.

Rodney Bingenheimer was (well, is; he's not dead) a prolific DJ in the Los Angeles area who was heralded as being the "Mayor of the Sunset Strip" at the height of his fame. He gained notoriety for his radio personality and was friends with celebrities galore. He helped along lots of now noted punk bands that were just starting out at the time, the Germs being one of them I believe. Anyway, what I originally thought was a legitimate band called Rodney and the Brunettes turned out to be Rodney Bingenheimer performing a cover of the song "Little GTO" with Blondie in his backing band. Blondie put out this single with Rodney after he promoted their band extensively; this record was how they thanked him. The single was written by surf group Ronny & The Daytonas (more specifically John Wilkin), so you can put two and two together on the name similarities. The flip, "Holocaust on Sunset Blvd.," is cool and all, but I think that you can safely skip it. That is, unless you're a rabid fan of Southern Californian accents...

Rodney and the Brunettes - Little G.T.O. 7" MediaFire

Goodtime Washboard Three - Oakland 7" (1964)

2010-10-01T15:14:00.000-07:00

I'll touch a little on my folk roots here and share a great single by this not-so-well-known group, Goodtime Washboard Three. The threesome was made up of "Wayne Pope on washboard, Bruce Bratton on washtub bass and Dick Fagerstrom on banjo" and played music with instruments you'd more likely find in a swampy Louisiana bayou in the early 1900's than in the Bay Area in 1964. I'm always on the lookout for new folk gems, so finding this single on Fantasy Records by such a familiar name (at least for me) was a real treat. Two cuts of California-themed tunes, which certainly helps in my continued enjoyment of them; I've played the single, "Oakland," quite a few times since I bought this. In fact, I'm really surprised I hadn't heard the tune before because, incidentally, the "Oakland" tune, apart from being quite humorous and entertaining, seemed to attract some popularity to the band. More than 12,000 copies of this single sold (apparently), and the band even appeared on the Bing Crosby show. Unfortunately, they didn't rise to the fame they thought they would; the albums they recorded never even saw the light of day. Despite this, some incarnation of the band apparently still exists and plays sporadically. All this history of my home, great music, and entertainment for fifty cents out of my pocket!

Goodtime Washboard Three - Oakland 7" MediaFire

Secret Ties - Dancin' In My Sleep 7" (1986)

2010-10-01T14:37:00.000-07:00

Happy October. Here's a great synth-ridden, corny disco tune from 1986 on Nightwave Records, a small Hollywood-based label. Female-fronted with male backups, the single begins with a wobbly a cappella, then busts in with the keyboard beats complete with predictable poppy hooks. The flip is a lot slower, sexier and soulful, not to mention a lot less dance-y than the single. A cool single for fans of later disco stuff, especially the obscure side of space disco. I couldn't find a thing on this band, so someone should fill me in!

Secret Ties - Dancin' In My Sleep 7" MediaFire

Repeat Offenders - So Long, Suzie Wong 7" (1982)

2010-09-29T19:49:00.000-07:00

Another new wave-related single, albeit a less obscure one. Repeat Offenders were a five-piece band from San Francisco. As far as I can tell, they released this one single, contributed to a compilation, and then broke up in 1986. More on the new wave side than the previous entry, the single (also like the previous entry) has two cuts of female-fronted, poppy new wave stuff. I'm not sure whether they were purposely trying to be humorous, but the synonymous track makes me think so. W. K. Wong's got a great voice on these tracks though; that did it for me.

This was self-released on R.O. Records. Think about it.

Repeat Offenders - So Long, Suzie Wong 7" MediaFire

The Pearls - Running in Circles/Ripe Rage 7" (1980)

2010-09-24T15:34:00.000-07:00

Obscure Los Angeles new wave/punk from the year 1980. The Pearls put out one single on Tonguelash Records, this one, and recorded an unreleased album. They appeared on New Wave Theater, although no one seemed to catch onto them. A nice recording with smooth, but occasionally snotty female vocals. It was tough to find information on this one, sorry.

The Pearls - Running in Circles/Ripe Rage 7" MediaFire

Hydroplane - Failed Adventure 7" (1998)

2010-09-23T23:22:00.000-07:00

I'll hastily admit that I bought this one a few years ago solely for its in-store description: "NICE FEMAIL VOCALS, DRONEY, SPACE ROCK..." That's verbatim, friends. I guess record store employees aren't exactly hailed for their literacy. Regardless, here we have a haunting single from Hydroplane, a band that, regrettably, I'm unfamiliar with. Incidentally, I'm am familiar with a band that preceded this one, The Cat's Miaow, a Melbourne twee-pop extravaganza.

Strange, how those sort of coincidences work out sometimes. Even stranger is the blatant musical about face in comparison, with Miaow churning twee... butter (heh, sorry) and Hydroplane conjuring slow-burning, Dead Can Dance-esque minimal dream pop as downer as it comes. I can't speak for their albums as I haven't heard them (yet), but this single gives one a good idea. "Failed Adventure" is creeping and anti-climactic, a long, droning trudge backed with Kerrie Bolton's longing crooning. The flip side, "Now You Know All That You Need to Know," is bare bones, mainly made up of one faint drone and electronic beats, and is a bit of a throwaway, although not without its own melancholy merits. Made me think, perhaps the band recalling its past a bit? Maybe not.

This record was Elefant Records #97. Can't quite place this band next to anything genuinely similar, but it'll come to you.

Hydroplane - Failed Adventure 7" MediaFire

The Fents - First Offense (1983)

2010-09-17T17:24:00.001-07:00

Another big surprise for me, I came upon this (cheap!) copy of the Fents' first record at my favorite shop and, once again, I was intrigued by the artwork. What I thought might be another hard rock find turned out to be surprisingly excellent jazz fusion fronted by keyboardist Adam Holzman. Although I am usually not one to take enjoyment out of jazz fusion (don't get me started on Weather Report, for example), I listened to this record for the first time reluctantly, and then three more times because I found it to be so great. Maybe it's just because I'm a sucker for a synth, but I found that Holzman's keyboard work carried these radical syncopated compositions to the next level, while the more guitar driven tracks I liked a little less. I enjoyed the track "Four's a Crowd" in particular for that very reason; I thought his work there was reminiscent of other obscure synth artists like Roland Bocquet, if they had made jazz fusion anyway! Incidentally, and oddly enough, Holzman went onto play and tour with Miles Davis. Holzman is apparently still musically active, though I haven't a clue about the remainder of the band. Sadly, the guitarist, Ted Hall, passed away a couple years ago. This band put out a second album and that was it for them as far as I can tell. This record was released on Not Yachting Records; it was hilariously published by How Come You Don't Have a Singer? Publishing. You should listen to it more than four times.

Here comes the best part...

...this copy was signed by the band, although the signature on the left was the "new guy" at the time. Now if only this band wasn't so obscure!

The Fents - First Offense (1983) MediaFire

Furious Pig - Furious Pig EP (1981)

2010-09-15T20:02:00.000-07:00

A strange one from London. Furious Pig were a very short lived quintet that made music using their voices exclusively - a capella, in other words, but not in the way you might think. It was an interesting $1 find; I almost didn't pick it up after listening to it at the shop, but I figured there must be more to this record than meets the eye. I got it home, made it through all three songs, and found that I was both bewildered and entertained, feelings well worth the buck I paid. This group, which took influence from popular avant-garde artists like Captain Beefheart and Frank Zappa, set out to make a name for themselves in a National Melody Maker contest, but unfortunately didn't make the cut. Not ones to be discouraged, they continued to practice their droning chanting and went on to tour with the likes of The Raincoats, This Heat and Television Personalities. They even had a Peel session once. This EP, alongside a flexi and a couple compilation contributions, are all that this band left behind. A very intriguing "non-music," performance art gem that, incidentally, is worth quite a bit more than I paid for it. The label told me to play it at any speed, so I chose to rip it at 45 RPM because it sounded correct. I recommend playing it loudly while your neighbors are walking by.

Furious Pig - Furious Pig EP MediaFire

A Flock of Seagulls - Space Age Love Song 7"

2010-09-13T16:56:00.000-07:00

Just a fun new wave one to close out my afternoon, don't take it too seriously! This is the single for this band's probably second biggest hit from their self-titled LP. This is my favorite song by this band, and a great example of dream pop-esque vibes used in new wave/synth pop music. Great for fans of those genres and/or people who haven't heard it before. It is backed with "Windows," which was available "for the first time" in the United States upon this single's release.

I have a couple other really rad LPs to talk about lined up. Have a nice week.

A Flock of Seagulls - Space Age Love Song 7" MediaFire

The Church - Columbus 7" Promo

2010-09-12T23:20:00.000-07:00

Dug through Amoebas stacks three years ago and came upon one of the many versions of this single. The flip is supposed to be "As You Will" like the original, but is instead an edited version of the single. Cool huh? Not too cool, the edited version is mostly just the same single, except it's been trimmed down, probably for radio play. Still, a rarity, and a great single for fans and newcomers alike. A great, early single from this band who inadvertently spawned a plethora of sub par succeeding bands. For the curious, this is the W.B. (abbreviated for the sake of dispelling any potential attention it may reel in) promo; more information can be found here. Don't kill me, Kilbey.

The Church - Columbus 7" Promo MediaFire

Crawlspace - In The Gospel Zone

2010-09-10T16:12:00.000-07:00

I went to my favorite record store today. While sorting through a stack that the owner hadn't priced yet, I found this (among other rarities that I didn't pick up/will pick up next time) sitting between a couple junk LPs. I ended up picking it up for three dollars.

Crawlspace, one of many synonymous Crawlspaces in the world, were an "Indiana-bred, Los Angeles-based" punk-influenced hard rock band that was fronted by Eddie Flowers of Gizmos fame. I put this on at the shop before I bought it, since I was instantly intrigued by the cover art but I wanted to know what I was getting into. It was a big surprise: the fusion of punk and space rock is spot on, and I found myself hooked within one song. The song "Aeroplane" in particular sounds more like a straight punk song than anything else. The best part is that sixteen minutes of the B-side is a cover of Can's "Little Star of Bethlehem," rendered into an all-out psychedelic space rock jam. In The Gospel Zone is an obscure little jammer that I'm glad to have discovered. Also, apologies if this rip is sub par - trying out some new settings in Audacity this time. Let me know what you think.

Crawlspace - In The Gospel Zone MediaFire

Linda Smith - Till Another Time 7"

2010-09-06T19:25:00.000-07:00

A little less on the obscure side this time around, with this largely overlooked Linda Smith single on Slumberland. According to the bio, Smith was in a folk band called the Woods (not that Woods) before departing and incorporating her folk prowess with 90's minimalist lo-fi of the jangly twee kind. A taped solo effort, Smith relies on strummed guitar, tambourine, keyboard beeps and beats, as well as some reverb just as a sprinkle on top. Plus, it's on 90's Slumberland; if this is a mystery, that alone makes it worth a listen or two. A pretty standard pop single, but one that is not without its merits. The single may remind one of the shoegazey side of the Slumberland roster during the early nineties, while the flips are a lot lighter and more pop-oriented. This was Slumberland #16 and it's still in print. Tell me what you think after you count how many alliterations were inadvertently used in this entry.

Linda Smith - Till Another Time 7" MediaFire
Linda Smith - Till Another Time 7" Buy

The Knit Separates - Maybe In Time I Could Change & The Memory Relaxer 7"

2010-09-04T17:08:00.001-07:00

The Knit Separates were a band from San Francisco that, oddly enough, included a member of Social Unrest. (Incidentally, I just passed up an opportunity to pick up that band's SU-2000 LP yesterday...) While Social Unrest played pretty standard 80's hardcore in Berkeley, the Knit Separates go in a completely different direction. These two 7"s are great and, I daresay, abstract examples of the "lo-fi" sound that was reigning during the early-to-mid 90's.

On a side note, I use the term lo-fi with slight reluctance, as it's a word that I have superficial problems with. What could be called lo-fi back when and what is called lo-fi now are two different things. In my opinion, it is something that is now applied aesthetically, and as a means of projecting a band's image. And besides that, it's a rather stupid term. With that said, let's move on.

These records are very interesting to me, although there is nothing complex nor particularly profound about these recordings. However, it's their unrefined, minimal qualities that make them as beautiful and genuine as bands like Un. Both bands have a similar, simplistic sound that relies mostly on twangy strummed guitar and a vaguely distracted vocalist. The remarkable difference them is that this band presents itself as quite humble. I gather that this was a group of musicians from different backgrounds, although similar scenery, who perhaps settled down and wrote down the melodies that had been festering inside them in the background for years. Maybe, maybe. This band is a bit of a mystery and it was difficult to pull up anything personal about them.

In any case, both records are worth a shot for anyone interested in recent outsider music with pop tendencies. The first, Maybe In Time I Could Change, from 1997, is overtly sad, short, straightforward and a little poppy at times. The second, The Memory Relaxer, from the same year, is a lot quieter, toned down and elongated. The band released their music exclusively on 3 Acre Floor Records.

By the way, I highly recommend the new Pregnant LP to be on your upcoming playlist.

The Knit Separates - Maybe In Time I Could Change 7" MediaFire
The Knit Separates - The Memory Relaxer 7" MediaFire
The Knit Separates - Biography

Is it September? Already?

2010-09-02T21:04:00.000-07:00

Time flies. It seems like just last week I started the fall semester, when in fact it's been almost a month. I've been quite busy and distracted lately, but I'm hoping to update some time next week or even this weekend. I have some real rad obscurities in the (so-called) lo-fi realm to share. It's funny what kind of awesome stuff you can find in cheapo eBay lots, let me tell you! Anyway, thanks as always to my readers and those who comment; it means so much that people are actually checking out what I'm posting.

Take care!
Ryan

Broken Water - Normal Never Happend 7" (2010)

2010-08-27T01:11:00.001-07:00

No sleep, more posts. This is the newest 7" from this Olympian ex-Sisters threesome. Two more tracks of heavy Sonic Youth influenced punk from the hazy alternate universe of Broken Water. Like their preceding LP Whet, it's as catchy as it is dejected. Unlike the LP, it's a bit slower, although not without the band's signature distorted effervescence.

Broken Water - Normal Never Happened 7" MediaFire
Broken Water - Fan Death Records Buy the record

Twin Stumps - Demos (2008/2009)

2010-08-26T16:02:00.000-07:00

Managed to finish my collection of this now defunct band's music. These demos from 2008 and 2009 are the last of it. Lots of otherwise abandoned recordings on the second demo in particular. Very excited to finally get these and equally excited to share them. Punishing noise rock from New York that, in my opinion, transcended their peers during their short time together.

Twin Stumps - Demo #1 MediaFire
Twin Stumps - Demo #2 MediaFire
Twin Stumps - MySpace

Plutocracy - Off The Pigs 12" (2010)

2010-08-20T00:18:00.000-07:00

Jumping from the reminiscing to share the new Plutocracy EP, which finally arrived at my doorstep this morning. Six cuts of anarcho grindcore the way only Plutocracy can do it. It's no Sniping Pigz, but it's still rad. Any fan of hardcore or grind at all will dig this, I'm 100% certain. I'm too exhausted to say much more. Enjoy.

Plutocracy - Off The Pigs 12" MediaFire

(To the one person who downloaded the previous file: sorry, download this again. I made a mistake on the track "Dank Upon a Time" and forgot to split it from the rest of the B-side. That's the last time I update at five in the morning.)

A Company of Heroes - S/T (2006)

2010-08-14T17:09:00.001-07:00

Per the previous entry, here is another oldie, and probably the only other instance of screamo discussion on this blog unless I dig up something else notable. A Company of Heroes passed through one fine summer evening in 2006 with (*the*) Kidcrash and Arse Moreira while those bands were on tour together. The notability of that alone is twofold: first, that Kidcrash passed through my tiny insignificant hamlet, and second, that they were at the top of their game back then. But I digress since that was the first and last time I saw/listened to them. I believe that A Company of Heroes opened the show, totally stealing the thunder from the locals' egos by being a remarkably tough act to follow.

I am halfway kidding, but in all seriousness, for being a band that continued to beat the still beaten horse, something I partook in myself for a time (hell, still do), they did a very good job. This was halfway through a decade that saw the rise of bands like Funeral Diner and Orchid, as well as people who were so earnest in their quest to educate the masses by spreading the word about "real screamo"... Wedged between the heaps of monotony and screachings of Half Moon Bayinite heavyweights were this little known quartet that stepped in for a moment then gradually faded away, leaving only this handsome package (pictured above) in their wake.

(Take note any bandanas and gym shorts in this video... mid-2000's, I do not miss you)

I haven't the slightest clue whether or not this band is still active. As far as how the album sounds... even speaking on it now I can say with confidence that it's a very firm work that can still hold its own four years later. The absolutely shrill, desperate vocals of Bryan Goss wrap together these nine standard, though sophisticated screamo compositions tightly; something about his voice alone does it for me, regardless of what he's saying. Besides the music, the CD was put in a hand made package with a taped-on photo, stamped label on the back, professionally printed CDs and a fancy insert on wax paper... all for $7, but I (or was it my brother?) paid $5 because I didn't have enough on me. Also, Final Fantasy-themed track titles.

A Company of Heroes - A Company of Heroes MediaFire
A Company of Heroes - MySpace

Hijack The Disco - Working Is Easy (2004)

2010-08-12T18:22:00.000-07:00

Switching back to sentimental feelings for a little while, and sharing some more little-known bands that passed through my town in the early 2000's. I'm cruising all the way back to 2004 or 2005 for this one. Hijack The Disco played a show at a now-defunct pizza shop in town that, if I'm not mistaken, presented about nine bands for $4. I tried looking for the flyer, but came up with nothing unfortunately. I'll keep looking.

Despite my blurry memory, I remember this band putting on a reasonable set. Although I was lost in a haze of oi! punk and screamo (more on that in a later update) back then and thus had a temporary disinterest in pop music at the time, I was nonetheless impressed with this Oakland threesome's (?) alternative rock-oriented pop tunes. I was also quite broke at the time, and I couldn't afford their new album, so I was only able to pick up this EP, Working Is Easy, for the cheap price of $3. A few bucks well spent, as this EP turned out to be a five-song gem of quality, imagery ridden pop music worthy of praise. Crisp, cleanly executed with catchy hooks and variegated moods.

Another popular band around this time was Panic! At The Disco. No, I am not a fan myself, but many other people were, so much so that Hijack The Disco apparently garnered some confusion regarding the name conflict. To dispel this, the band changed their name to HIJK, and thus they have been ever since. I have neither seen nor heard them since watching the aforementioned set many years ago, but I trust the band is doing well.

Hijack The Disco - Working Is Easy Mediafire
HIJK - MySpace

Themes - War Over the Great Plains (2007)

2010-08-07T13:37:00.000-07:00

All right, consider me back in action for a while. Summer is winding down, but the fall semester is on the horizon, so updates may dwindle in the coming weeks. Nevertheless, I enjoy writing these little diddys too much to pull myself away.

And GOOD NEWS: I managed to score a great low-end Sony turntable to replace my RCA warhorse that lasted me a decade. So, expect some new tunes from my record collection soon!

This one goes back to 2007, which wouldn't seem so long ago if I could remember half of it. I'm glad I kept this particular show's flyer because otherwise my photographic memory wouldn't be working overtime as I type this. I picked up this CD when I saw Themes at an Apgar House show in Oakland that year, a pitstop on what I assume was the band's first west coast tour. My friends and I arrived quite late but managed to catch half of Themes' set, the likes of which we could hear down the block; a very loud, eclectic band and sound, with two brilliant voices on top. What we saw was enough for us to hassle the vocalist and baritone guitarist (!) Jacy McIntosh for a copy of their album, War Over the Great Plains.

(Despite the omission, Loma Prieta also played this show. They were a three-piece at the time, and I believe that their EP had just come out.)

The album is about an hour long and rife with melancholy imagery and historical influence; very effective lyrics, too. War Over the Great Plains is truly all over the place: from creepy to longing, from psychotic to complacent, but absolutely beautiful and calculated 100% of the time. Some songs seem a little off in first half of the "sit down" (as the vocalist lovingly referred to the album as, if I'm not mistaken) but their already unstable foundations may be to blame for that. The songs switch off between piano and baritone guitar driven folk-influenced rock tunes, which is an interesting combination in itself. Haven't heard much like this band, although at moments throughout the album I am vaguely reminded of Black Heart Procession, as well as their friends The New Trust, due to similar emotions and themes (no pun intended.) I must say, though, the occasionally uncomfortable dual vocals of Jacy McIntosh and Kelsey Crawford are mostly what do it for me - honestly, what a pair these two make!

Per the artists' request, the links to this album have been removed.

Themes - MySpace

Hulaboy - Slip It Inside 7"

2010-08-04T12:26:00.000-07:00

A limited edition single on Sticky Records by the Boyracer and Hula Hoop side-project, Hulaboy. Get it? Imagine my surprise, coming upon this in a hole in the wall shop for a quarter! I believe both of these songs are recorded live given the sound check (??? you'll see) and laughter from an audience at the beginning of the first song. This was released alongside their Mermaid Girl single which I admit I like a little bit more. Pop-oriented rock music. Signature Boyracer vocals on the second track. Apparently this project is still active. This is technically one sided; the record has two sides, but has the same songs on both.

Hulaboy - Slip It Inside 7" Mediafire

Weed Hounds - Beach Bummed 7"

2010-07-19T13:06:00.001-07:00

Weed Hounds, it seems, have quickly become a very familiar name. Their newest 7", this one, has already been passed around, consumed and digested in the so-called blogosphere, but I don't think it'll hurt if I throw my own comments into the mix. Taking obvious influence from 90's fuzz-y giants like My Bloody Valentine, Weed Hounds produce contemporary shoegaze-tinged pop diddys especially reminiscent of Black Tambourine. The big difference is that Weed Hounds seem to travel down a more pop-oriented, summer themed road. Also, as soon as I put on Beach Bummed, I was immediately reminded of the 1991 single Granny 9X by Seam. It was peculiar how similar the introductions to those songs were, although no plagiarism was involved of course; just scary similarities. Besides, Beach Bummed, like its B-side Skating Away From The Cops, is a lo-fi summery tune as opposed to slowcore dynamite. This 7" seems like just the thing for a lonely summer day, when everyone is gone and you're hanging out under the shade... or something. Can't wait to see what's next with this band; if I'm not mistaken, a full-length is coming up.

Weed Hounds - Beach Bummed 7" Mediafire
Weed Hounds - MySpace

Gaze - Seedless 7"

2010-07-18T12:38:00.000-07:00

A little more obscure Rose Melberg-related project on K Records. This already sounds like another Melberg worship entry, which is even more ridiculous in this case considering she isn't the frontwoman in this band. Gaze was Miko Hoffman on guitar, Megan Mallett on bass, and Rose Melberg on drums, along with all three of their voices. Two songs were recorded by Calvin Johnson, with the remaining one being recorded by John Collins (New Pornographers) and David Carswell (Smugglers) at their JC/DC studio in Canada. Slow-mo standard pop recorded in 1997. This was International Pop Underground volume 84.

Gaze - Seedless 7" Mediafire

The Cannanes - Frightening Thing

2010-07-18T03:47:00.000-07:00

A really fantastic single by Australia's Cannanes. The flip side is wonky and pretty forgettable in my opinion, but "Frightening Thing" is a bona fide twee pop gem that is as catchy as hell; it's honestly one of my favorite singles. This was International Pop Underground volume 37. I got this for $0.98 despite the sticker's objections. A shame about the clip, though.

The Cannanes - Frightening Thing Mediafire

Government Alpha - Hesitation/Consumption

2010-07-16T03:02:00.001-07:00

Picked this up about three, maybe four years ago at Amoeba for the displayed price. Never thought I'd find a Government Alpha record in the dollar bin, let alone his first one from 1995 on Vinyl Communications. This record's labels call for both 33 and 45 RPM, so I ripped it at both speeds for your dual enjoyment. This is the sole work of one Yasutoshi Yoshida, who is also a member of Monster DVD.

Government Alpha - Hesitation/Consumption (33 RPM) Mediafire
Government Alpha - Hesitation/Consumption (45 RPM) Mediafire

White Stains - White Stains EP

2010-07-15T21:33:00.000-07:00

Deviating quite a bit from the theme of my last few posts with this obscurity. I came upon this EP in a local thrift store, wedged in between a couple gospel records that are probably still there. An old friend was mine was considering buying it, but he decided to let me since he was broke at the time. I was immediately intrigued by the artwork, so of course I snagged it for a couple bucks. Anyway, I have him to thank for this entry.

Getting it home, giving it a spin, I took in the eerie darkwave-esque tunes of San Francisco's White Stains, a five piece who apparently only put out this EP. Creepy vibes, downright strange imagery, even a few (you guessed it) pop tendencies in some spots, especially dead on in the Glockenspiel bits. The lyrics are a little reminiscent of fellow San Francisco natives Switchblade Symphony (there's a reference I never thought I'd make again), although this record is less brooding. Lots of references to God and theology. A very intriguing and enjoyable record.

I'm glad that I am blogging about this now rather than back then, because when I attempted to dig up information about this band, I believe that I got this band mixed up with a later Swedish band of the same name. This band is made up of three women and two men (which is contrary to another person's comment that this was an all-girl band), while the other darkwave band seems to revolve around two Swedish men, not to mention this particular record was recorded in San Francisco in 1983 while the latter White Stains were active beginning in 1987. Both bands, incidentally, have a similar sound, so I wouldn't be surprised if they somehow ended up being the same band... but signs point to no. Any further information about this band or release would be appreciated. It was Round Black Records #1, evidently the first and last release according to Discogs. Members, as they are credited on the back, were Contessa Kathleena D'Onofrio (guitar and vocals), Contessa Susana Volkana (vocals and tapshoes), Contessa Suzanna Ramsini (piano, Glockenspiel and vocals), Wally Sound (guitar and bass), and David P. Silva (drums). Awesome artwork on the front and back.

White Stains - White Stains EP Mediafire

The Softies - He'll Never Have To Know EP

2010-07-14T11:38:00.000-07:00

No doubt a familiar name and record to anyone who doesn't live under a rock, or just listens to pop music. This particular Softies EP was released in 1995 on K and was only preceded by their Loveseat 7" on Slumberland. Four twee pop tunes done the only way the Softies could do them: cute, sweet and incessantly melancholy. I can always count on Rose Melberg to take a upbeat melody and render it into a nostalgic anthem of teenage longing. This is the first record of theirs I've had the pleasure of adding to my collection, so I'm more than happy to share it with readers who may be unfamiliar, or those who lack quality MP3s of the recordings.

The Softies - He'll Never Have To Know EP Mediafire

The One AM Radio - Credible Threats (2010)

2010-07-14T11:13:00.000-07:00

I'm pretty late on this one. I ripped this and uploaded it to what.CD as soon as I got it in the mail, but somehow never got around to posting it here. Better than never, but I'm sure this incredible single has no doubt been passed around already... Oh well. Another batch of contemporary poppy goodness from this former one-man project (if I'm not mistaken) called The One AM Radio. Includes a remix of the single on the B side by a member of the Mae Shi. Enjoy.

The One AM Radio - Credible Threats 7" Mediafire

Further - Filling Station

2010-07-11T22:11:00.000-07:00

Hoo boy. Where to begin? Well, first of all, if you haven't heard this record or the ever obscure Further at all, it's very important for you to do so. What better place to start than here, with their first 7" on Bong Load Records from 1992, which delivers two slices of brilliantly executed 90's indie rock rife with poppy hooks... Honestly, I'm trying to do this record/band justice, but there are only so many words I can use. This record also differs a bit from their later material which tends to be more sloppy, noisy and unrestricted (three perfectly fine qualities by me.) This record is a bit more cohesive and probably what stuck them with the stigma that they were ripping off bands like Dinosaur Jr. "Filling Station" builds you up slowly, keeps you high, and "The Sad Truth" sends you out in a wobbly, cynical alt. rock haze.

Further - Filling Station 7" Mediafire

The Raymond Brake - New Wave Dream b/w Secret

2010-07-09T03:46:00.000-07:00

Any hardcore peruse-r of North Carolina indie rock, or perhaps just 90's indie rock in general may recognize this Polvo-worship band. The Raymond Brake were just a group of kids playing instruments in their garage it seems like - barely nineteen and twenty - and yet they displayed enough skill to rank up with their big name contemporaries. I was happy to snatch this from a Discogs user about a week ago for a fair $6 or so. I got a bit more than I bargained for, too, getting a early version of their fantastic song "New Wave Dream," this one being an old recording that I hadn't heard before. While the rendition here isn't my favorite, the B-side "Secret" makes up for it, delivering a clean and melodic diddy a little reminiscent (at least in my opinion) of Superchunk if they were prepubescent. A really great single that I'm glad to have gotten my hands on. Now if I could just get their full-length, Piles of Dirty Winters, I would be a much happier man.

Here is a more woozy, superior, dreamy version of New Wave Dream from the aforementioned full-length:

The Raymond Brake - New Wave Dream b/w Secret MediaFire